Blessed Are They from A German Requiem Cover Image

Blessed Are They from A German Requiem: Full Orchestra, Full Score

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Blessed Are They from A German Requiem: Full Orchestra, Full Score

By Johannes Brahms, arr. Albert O. Davis

Grade: 2

Item: 36-10205076

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Description
Johannes Brahms became known for his four symphonies and his great choral work A GERMAN REQUIEM. In the opening chorus, "Blessed Are They That Mourn," he reaches heights of sublimity. Performed at Bremen Cathedral on Good Friday, 1868, it was attended by many famous musicians, including Joachim and Oara Schumann. It is still held as his great masterpiece. Albert Oliver Davis' arrangement of BLESSED ARE THEY (No. 1: Selig sind, die da Leid tragen) from A GERMAN REQUIEM will do justice to this great composer and be a welcome addition to any library as scored for the school symphony orchestra. 2.2.2+BCl.2: 4.3.3.1: Timp. 2 Perc: Strings (9.8.7.6.5)

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Additional Details
Series: LudwigMasters Full Orchestra
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361384-4
ISBN13: 978-1-63-361384-3
UPC: 660355092756
SKU: 36-10205076
Instrumentation: 2.2.2+BCl.2: 4.3.3.1: Timp. 2 Perc: Strings (9.8.7.6.5)

More about this title

About the Composer: Johannes Brahms

Johannes Brahms (1833-1897) was a German composer whose music bridged Romanticism and classical tradition. His four symphonies and choral works established him as one of the most significant composers of the nineteenth century, and his mastery of orchestration set standards that continue to influence musicians today.

A German Requiem stands apart in Brahms's catalogue as a deeply personal work. Unlike the Latin Mass for the Dead, Brahms set German texts focused on comfort for the living rather than judgment of the deceased. The work premiered in 1868 and remains central to choral and orchestral repertoire, performed regularly in concert halls and cathedrals worldwide.

Why we love this

This arrangement captures one of the most profound opening moments in choral literature and makes it accessible to school orchestras. The Grade 2 scoring preserves Brahms's essential harmonic language and contrapuntal texture without overwhelming younger players, giving them direct experience with genuine masterwork writing rather than simplified imitations.

What to expect

The opening unfolds with quiet dignity, voices entering over gently rolling strings in a texture that feels both intimate and vast. There's an underlying strength in the harmonic progression, a sense of purpose wrapped in compassion, that makes Brahms's original intention come through clearly even in this reduced scoring.

Who it's for

Conductors leading school or community orchestras with capable string sections and intermediate wind players looking to program significant choral-orchestral literature. This arrangement allows students to engage with Brahms's compositional voice without the demands of a full professional orchestra score.

How to get the most out of it

  • Shape the opening string lines with breadth and warmth; the viola and cello foundation must feel sustained rather than academic, establishing the solemnity that Brahms demands from the very first measures.
  • Balance the choral writing carefully against the orchestra so the text remains audible throughout. Brahms intended the chorus to carry the emotional weight, so adjust instrumental dynamics accordingly during vocal passages.
  • Listen for the natural harmonic progression beneath the surface. Brahms moves through key areas with purpose; conductors who trace these shifts rather than rushing between phrases will reveal the architecture that makes this movement feel inevitable.
  • Give the timpani and lower brass space to define the harmonic foundation, particularly at cadential moments. Their clarity anchors the entire texture.

How to use it

Consider this for a spring concert exploring major choral-orchestral works, particularly around services of commemoration or community gatherings where deep emotional resonance matters. Pairing it with other German Romantic choral works creates a cohesive program that challenges students while offering audiences the gravitas they expect from serious music-making.

Skills your students will build

  • Reading German text and singing through unfamiliar harmonic language
  • Balancing ensemble blend in mixed chord writing with orchestral accompaniment
  • Understanding phrase architecture across longer harmonic progressions
  • Coordinating string sections in divided voicing and counterpoint
  • Responding to subtle dynamic and tempo shaping in non-metric musical phrasing

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