Bless The Weather: Guitar Tab

Martyn's guitar writing rewards players who want to move beyond standard chord shapes and strumming patterns. The arrangement captures the restless, exploratory spirit that made his recordings so influential; students encounter real harmonic sophistication and fingerstyle complexity in a rock context where you'd least expect it.

Restless and searching. The tune has an almost conversational quality, wandering through harmonic territories that feel both intimate and slightly unsettled. There's a warmth to the fingerpicking and a thoughtfulness in every phrase that keeps the energy inward rather than explosive.

Guitarists with solid fingerstyle fundamentals who are ready to tackle music that doesn't fit neatly into acoustic or rock categories. This tab works equally well for independent study and as a teaching piece for players interested in how folk and rock vocabularies can merge.

• Map out the fingerstyle pattern early and isolate it away from the full arrangement. Martyn's approach to rhythm guitar often sits outside strict metric feel, so lock the pattern first before worrying about tempo.
• Pay attention to the balance between percussive and resonant notes. Many of Martyn's textures depend on letting certain strings ring while others are damped or plucked sharply.
• If using effects (reverb, chorus, or subtle distortion), introduce them gradually rather than all at once. The appeal of this tune lies in how the tone evolves across phrases.
• Listen closely to how the melody interacts with the harmonic foundation. Martyn often blurs that line, so treat single-note passages as part of the overall voice-leading rather than isolated melodies.

Slot this into a recital or showcase when you want to represent the full range of guitar repertoire beyond classical or conventional rock. It pairs well in a set that traces how electric instruments expanded folk expression, or use it as a solo piece that demonstrates technical skill alongside musical sensitivity.

• Fingerstyle coordination across multiple voices on six strings
• Reading and executing non-standard harmonic movement
• Balancing melody with accompaniment in hybrid folk-rock contexts
• Using tone variation and dynamics as compositional elements