Bless The Lord Sheet Music Preview

Bless The Lord: Choral Instrumental Pak

By Allan Malloy / By Danny Brown / Arranged by BJ Davis

Item: 35-PK00162019

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Description
This simple statement of submission and praise reminds us that in all things we need to constantly praise the name of Jesus. You will enjoy this song and arrangement by BJ Davis. Duration: ca. 5:30.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00162019

More about this title

Why we love this

BJ Davis's orchestration transforms a straightforward text into something genuinely moving. The arrangement respects the simplicity of the message while giving your ensemble room to shape the phrasing without technical obstacles getting in the way.

What to expect

Intimate and reflective, this piece carries the weight of devotional sincerity without demanding virtuosity from singers or instrumentalists. The orchestration creates warmth and space simultaneously, allowing the sentiment of praise to unfold naturally.

Who it's for

This works well for choirs seeking accessible sacred repertoire with instrumental support. The five-and-a-half minute duration and straightforward voicing make it suitable for both worship settings and concert programming.

How to get the most out of it

  • Balance the vocal line so the text lands clearly; the orchestration supports rather than masks the singers.
  • Take time with the slower sections to let the harmonic movement breathe and settle with the accompaniment.
  • Work the choir and orchestra together from the start so ensemble members hear how their parts interlock rather than pile on top of each other.

How to use it

Pair this with other contemporary sacred works for a concert that honors both musical craft and spiritual content. Its moderate length makes it a strong opener or closer that frames a program without overwhelming listeners.

Skills your students will build

  • Singing with stylistic uniformity across vocal sections
  • Responding to instrumental cues and ensemble balance
  • Sustaining lyrical phrasing over longer note values
  • Understanding orchestration as supporting rather than competing with voices

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