Blame It on the Boogie (arr. Roel Griffioen) Sheet Music Preview

Blame It on the Boogie (arr. Roel Griffioen): TTBB Choral Octavo

As performed by The Jacksons / Arranged by Roel Griffioen

Item: 35-DS00487365

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00487365

More about this title

About the Artist: The Jacksons

The Jacksons became one of the defining voices of pop and funk in the 1970s and 1980s, with a catalog that shaped how generations understood rhythm, groove, and vocal harmony. Their ability to layer voices over infectious rhythms made them natural models for arrangers seeking to teach ensemble blend and precision in contemporary idioms.

Why we love this

Roel Griffioen's arrangement captures the irresistible swing of the original while giving each voice part genuine melodic interest and harmonic color. The flexible voicing options (TB/TTB/TBB/TTBB) mean you can use this whether you're working with a full quartet or an ensemble where bass or tenor depth varies week to week. It's the rare pop arrangement that feels both authentically funky and genuinely singable.

What to expect

Infectious and tight. The arrangement channels the original's swagger through tight voicing and syncopated rhythmic figures, creating the sensation of a well-oiled ensemble rather than a showcase for soloists. It's the musical equivalent of a handshake that lands just right: purposeful, groovy, and impossible not to feel.

Who it's for

This arrangement works for secular choirs of intermediate to advanced ability who want to build confidence in contemporary idioms without sacrificing musical substance. It's equally valuable for ensembles working on rhythm and ensemble precision and those seeking repertoire that excites singers without requiring instrumental accompaniment.

How to get the most out of it

  • Lock the rhythmic precision by isolating the backbeat. The groove lives in how crisply the ensemble articulates the syncopated passages together.
  • Attend to the bass line early in rehearsal. That part anchors everything else; once it's solid and confident, the upper voices will lock in more easily.
  • Explore dynamic shaping within phrases rather than treating whole sections at one volume. The arrangement rewards subtle crescendos and releases that mirror the original's energy curves.
  • Record a run-through and listen for blend in the homophonic passages. A cappella funk depends on balanced resonance, not soloistic voices.

How to use it

Pair this with other pop or funk repertoire to build a contemporary set that demonstrates your choir's range and command of different musical languages. It also works as an energizer in concert programs where you need a moment of pure groove and good humor to reset the audience's energy.

Skills your students will build

  • Rhythmic precision in syncopated ensemble passages
  • Maintaining locked groove while singing a cappella
  • Harmonic blend and balance in homophonic textures
  • Reading and executing contemporary pop and funk idioms
  • Stylistic interpretation of original recordings

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