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Black Orpheus: Jazz Ensemble Conductor Score & Parts

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Black Orpheus Cover Image

Black Orpheus: Jazz Ensemble Conductor Score & Parts

By Luiz Bonfá / arr. Eric Richards

Grade: 4 (Medium Advanced / Difficult)

Item: 00-24859

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Description
Whoa! A super high-energy Latin samba arranged by Eric Richards that is the perfect opener or closer for any performance. Solo opportunity for tenor sax, bari sax, 2nd trombone and drums. This is a powerhouse chart!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Black Orpheus: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 134
UPC: 038081271965
SKU: 00-24859

More about this title

About the Composer: Luiz Bonfá

Luiz Bonfá was a Brazilian composer and guitarist who helped define the sound of bossa nova in the late 1950s and early 1960s. His work bridged classical training with the rhythmic sophistication of Brazilian popular music, creating pieces that remain central to jazz and world music repertoire. "Black Orpheus," originally composed for the 1959 film of the same name, stands as one of his most enduring compositions, recorded countless times across jazz, classical, and popular contexts.

Why we love this

Eric Richards captures the infectious drive of this classic without losing its harmonic richness. The arrangement sits perfectly at Grade 4, demanding rhythmic precision and ensemble cohesion while remaining deeply satisfying for players who execute it well. You get a chart that opens or closes any concert with undeniable momentum.

What to expect

Propulsive and joyful, with the unmistakable lift of authentic samba. The piece pulses with infectious momentum while maintaining enough sophistication to keep listeners engaged through multiple choruses. You feel the Brazilian sun in the rhythm and the elegance in the harmonic movement.

Who it's for

Jazz ensembles at the high school or early college level who have developed solid ensemble reading skills and basic jazz vocabulary. This chart rewards groups with committed section players and soloists comfortable taking space within a structured arrangement.

How to get the most out of it

  • Lock the samba rhythm in the rhythm section first. The groove lives in the interaction between bass and drums; if that's solid, the horns will sit naturally on top.
  • Balance the four soloists carefully. Each takes a moment in the spotlight, so ensure the ensemble pulls back appropriately and the featured player can be heard without straining.
  • Let the energy build through dynamic contrast. Resist the urge to play full volume throughout; save your peak intensity for the final statement.
  • Nail the articulation in the horn section. The precision of your attacks on the written rhythms defines the Latin edge that makes this arrangement work.

How to use it

This works exceptionally well as a concert opener that immediately establishes energy and sets a celebratory tone. You could also program it as a closer to send the audience out in a bright mood. Consider pairing it with other Latin or Brazilian-influenced charts to create a thematic set.

Skills your students will build

  • Samba rhythm reading and feel, particularly the relationship between written figures and perceived swing
  • Solo phrasing and melodic improvisation over a structured chord progression
  • Section balance and dynamics within a fast-moving ensemble texture
  • Articulation precision and rhythmic ensemble accuracy at medium-fast tempos

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