Black Magic (arr. Christopher Hussey) Sheet Music Preview

Black Magic (arr. Christopher Hussey): Educational Piano

As performed by Camille Purcell / Arranged by Christopher Hussey

Item: 35-DS01251602

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS01251602

More about this title

Why we love this

Christopher Hussey's arrangement opens up a contemporary pop song to pianists working at an accessible level without sacrificing musical interest. The two-page format makes this manageable for students who want to perform recognizable material, and the blend of classical technique with pop sensibility keeps practice engaging.

What to expect

Playful and modern with underlying sophistication. The arrangement balances straightforward melodic material with harmonic richness that invites expressive playing.

Who it's for

Intermediate pianists looking to expand beyond classical repertoire and build confidence with contemporary material. This works well for students developing stylistic flexibility and learning how arrangers adapt recognizable songs for solo performance.

How to get the most out of it

  • Pay attention to the dynamic shaping in the opening sections; these subtle shifts in volume create the magic rather than relying on heavy-handed expression.
  • Work the rhythmic precision between hands separately before combining them, especially where the accompaniment pattern interacts with the melody.
  • Let the climactic moments breathe by finding the natural arc of the piece rather than pushing tempo when excitement builds.

How to use it

Feature this in a mixed recital to bridge classical and popular contexts, or use it as a standalone performance piece for intermediate-level student concerts. It pairs naturally with other contemporary classical arrangements when building a program around accessible yet engaging repertoire.

Skills your students will build

  • Performing contemporary pop music with classical technique
  • Hand independence with melodic and accompaniment patterns
  • Dynamic control and phrasing across a short-form arrangement
  • Sight-reading two-page scores with mixed harmonic language

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