Black Horse And The Cherry Tree

Deke Sharon's arrangement captures the infectious energy and rhythmic swagger of the original recording while making it accessible for group vocals. The arrangement respects Tunstall's songwriting without requiring extensive production resources, making it genuinely singable in rehearsal settings.

Confident and propulsive, with an undercurrent of defiance. The music has a folk-pop sensibility that feels grounded even when it's moving fast, creating a satisfying combination of drive and sincerity.

Choirs and vocal ensembles seeking contemporary repertoire that feels both accessible and current. This works particularly well for groups comfortable with rhythmic precision and wanting to program something students actually connect with outside the rehearsal room.

• Lock the rhythmic drive early; this tune lives in its groove rather than its melody, so getting the backbeat and rhythmic layer synchronized across sections matters more than precision on the first pass.
• Balance the solo vocal line so it cuts through without overwhelming the supporting harmony; the song's power comes from the propulsive accompaniment supporting a confident lead.
• Lean into the attitude of the lyric when interpreting dynamics and phrasing; let the defiant tone inform your choices about when to pull back and when to push forward.
• Consider whether your ensemble needs to double or thin out any parts for your space; the arrangement likely has flexibility for different group sizes.

Pair this with other contemporary songs to demonstrate how arrangement can bring modern recordings into an ensemble context. It also serves as a natural closer for a concert segment focused on artist-driven songwriting, offering the kind of recognizable groove that anchors an audience's attention.

• Rhythmic precision in syncopated accompaniment patterns
• Balancing solo line weight against harmonic support
• Interpreting attitude and character from lyrical content
• Maintaining groove-based ensemble cohesion