Bim-Bom: Jazz Ensemble Conductor Score & Parts
As performed by Joao Gilberto / Arranged by Roger Holmes
Grade: 3
Item: 35-PK00310074
$45.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Bim-Bom - Conductor Score (Full Score) | $6.00 | |
| Bim-Bom - Alto Sax 1 | $6.00 | |
| Bim-Bom - Alto Sax 2 | $6.00 | |
| Bim-Bom - Tenor Sax 1 | $6.00 | |
| Bim-Bom - Tenor Sax 2 | $6.00 | |
| Bim-Bom - Baritone Sax | $6.00 | |
| Bim-Bom - Trumpet 1 | $6.00 | |
| Bim-Bom - Trumpet 2 | $6.00 | |
| Bim-Bom - Trumpet 3 | $6.00 | |
| Bim-Bom - Trumpet 4 | $6.00 | |
| Bim-Bom - Trombone 1 | $6.00 | |
| Bim-Bom - Trombone 2 | $6.00 | |
| Bim-Bom - Trombone 3 | $6.00 | |
| Bim-Bom - Trombone 4 | $6.00 | |
| Bim-Bom - Guitar | $6.00 | |
| Bim-Bom - Piano | $6.00 | |
| Bim-Bom - Bass | $6.00 | |
| Bim-Bom - Drums | $6.00 | |
| Bim-Bom - Aux Percussion | $6.00 | |
| Bim-Bom - Solo Sheet | $6.00 |
Parts Added to Cart!
Description
Composed in the mid 1950s, "Bim-Bom" is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and Stan Getz, Roger's version of this familiar standard features an upbeat, yet elegant Latin groove along with the smooth melodies and rich harmonies of the original. Solo space is provided for tenor sax and trumpet.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00310074
More about this title
About the Artist: Joao Gilberto
Joao Gilberto was a Brazilian singer and guitarist whose intimate, rhythmically subtle vocal style became the foundation of bossa nova. His 1958 album "Chega de Saudade" (with composer Antonio Carlos Jobim) introduced the world to this revolutionary sound, which fused samba rhythms with cool jazz harmonies and sophisticated melodies.
As both an innovator and interpreter, Gilberto shaped how subsequent generations understood Brazilian music. His influence extends far beyond the recording studio; his approach to phrasing, dynamics, and rhythmic placement continues to inform music education and jazz pedagogy worldwide.
Why we love this
Roger Holmes captures the essence of this landmark composition while giving jazz ensembles genuine solo space and room to breathe. The arrangement respects the elegance of the original without sacrificing the groove that makes bossa nova so rewarding to perform. You get a piece students already know paired with an arrangement that lets the whole band shine.
What to expect
Smooth and sophisticated yet inviting. The upbeat groove carries a quiet elegance, with the kind of rhythmic sophistication that makes you want to move without ever sounding stiff. There's room for both ensemble precision and individual musicianship.
Who it's for
Jazz ensembles at the Grade 3 level looking for a standard that sits comfortably in the middle of the difficulty spectrum. This works equally well for a dedicated jazz band program or an ensemble studying Latin jazz idioms. Students benefit from learning a composition that shaped modern music history.
How to get the most out of it
- Focus the rhythm section on maintaining that signature bossa nova pulse; the kick pattern defines everything else. Lock the snare placement precisely with the bass line.
- Balance the melody line so it sits above the harmonic cushion without dominating. The horns should play with restraint, letting the groove speak.
- Give your tenor and trumpet soloists room to explore while keeping them grounded in the harmonic framework. They should swing within the Latin feel, not against it.
- Let the piece breathe. Bossa nova lives in space and touch, not in heavy articulation or aggressive dynamics.
How to use it
Pair this with Brazilian or Latin jazz repertoire as part of a unit exploring how American jazz influenced international styles. It also serves as an accessible entry point for ensembles new to authentic bossa nova, offering a recorded legacy students can study alongside their own rehearsals. Consider programming it on a concert celebrating jazz standards or world music traditions.
Skills your students will build
- Bossa nova rhythm feel and swing within a Latin context
- Maintaining steady groove as a section while supporting melodic movement
- Solo construction within a harmonic framework
- Balancing accompaniment with foreground material
- Historical awareness of Brazilian musical influence on jazz