Billie Jean: Jazz Ensemble Conductor Score & Parts
As performed by Michael Jackson / As performed by David Cook / Arranged by John Berry
Grade: 1.5
Item: 35-PK00399229
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Billie Jean - Conductor Score (Full Score) | $7.50 | |
| Billie Jean - Alto Sax 1 | $6.00 | |
| Billie Jean - Alto Sax 2 | $6.00 | |
| Billie Jean - Tenor Sax 1 | $6.00 | |
| Billie Jean - Tenor Sax 2 | $6.00 | |
| Billie Jean - Baritone Sax | $6.00 | |
| Billie Jean - Trumpet 1 | $6.00 | |
| Billie Jean - Trumpet 2 | $6.00 | |
| Billie Jean - Trumpet 3 | $6.00 | |
| Billie Jean - Trombone 1 | $6.00 | |
| Billie Jean - Trombone 2 | $6.00 | |
| Billie Jean - Trombone 3 | $6.00 | |
| Billie Jean - Guitar | $6.00 | |
| Billie Jean - Piano | $6.00 | |
| Billie Jean - Bass | $6.00 | |
| Billie Jean - Drums | $6.00 | |
| Billie Jean - Aux Percussion | $6.00 | |
| Billie Jean - Flute | $6.00 | |
| Billie Jean - Bb Clarinet 1 | $6.00 | |
| Billie Jean - Bb Clarinet 2 | $6.00 | |
| Billie Jean - F Horn | $6.00 | |
| Billie Jean - Tuba | $6.00 |
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Description
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More about this title
About the Artist: Michael Jackson
Michael Jackson's influence on popular music extends far beyond his legendary status as a performer. His meticulous attention to arrangement, production detail, and rhythmic precision shaped how pop and rock music were constructed in the 1980s and beyond, making his catalog enduringly valuable for music educators seeking engaging material that resonates with students.
Why we love this
John Berry's arrangement captures the infectious groove and memorable hooks that made this track a cultural phenomenon, all while keeping the ensemble part count manageable and the technical demands accessible. The signature bass line sits front and center where students can lock into it, and the chart rewards rhythmic precision without requiring extensive rehearsal time to sound polished.
What to expect
Propulsive and funky with modern edge. The arrangement keeps the synth-pop DNA of the original intact while translating it into acoustic ensemble colors that feel both familiar and fresh. Students hear themselves playing something genuinely cool, not a watered-down cover version.
Who it's for
Directors programming pop or rock material for groups that need a solid-sounding chart without deep preparation demands. Jazz ensembles at the middle school or early high school level will find the part writing accessible while still feeling contemporary and engaging.
How to get the most out of it
- Lock the ensemble into the kick drum and bass line before rehearsing the melodic layers. This groove is the foundation of everything.
- Emphasize the staccato articulation in the supporting horns to maintain the crisp, modern feel of the original.
- Balance the lead melody so it cuts through without drowning out the rhythmic complexity underneath.
- Bring out any rhythmic hits in the rhythm section with sharp, synchronized attacks.
How to use it
Use this as a pop crossover piece in a concert that blends jazz standards with contemporary repertoire, or program it strategically in a concert aimed at drawing younger or non-traditional jazz audiences. It also works as an engaging opener that grabs attention right away.
Skills your students will build
- Locking into a strong funk groove and maintaining rhythmic cohesion
- Balancing lead melodies against rhythmic accompaniment layers
- Articulation control in a pop/rock idiom
- Reading modern jazz ensemble voicings and horn counterlines