Big Girls Don't Cry Sheet Music Preview

Big Girls Don't Cry: Concert Band Conductor Score & Parts

By Stacy Ferguson / By Toby Gad / As performed by Fergie / Arranged by Michael Brown

Grade: 2

Item: 35-PK00145357

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$55.00

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Description
One of the biggest contemporary hits on the pop charts is this engaging and distinctive song recorded by Fergie. Effectively arranged and easy to learn, this is an excellent choice for lighter programming. Dur: 2:30

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00145357

More about this title

About the Composer: Stacy Ferguson

Stacy Ferguson, known professionally as Fergie, rose to prominence as the lead vocalist of The Black Eyed Peas before launching a successful solo career in the mid-2000s. Her work blends pop sensibility with infectious melodies and strong rhythmic grooves, making her songs natural fits for educational ensemble arrangements. Ferguson's background in performance and songwriting demonstrates the collaborative approach that defines contemporary pop music.

Why we love this

Michael Brown's arrangement captures the infectious energy of the original without sacrificing playability at the Grade 2 level. The orchestration maintains the pop song's character while giving every section meaningful material, making it genuinely fun to rehearse and perform rather than a simplified novelty piece.

What to expect

Bright and propulsive with a modern pop groove that keeps audiences engaged. The arrangement sparkles with contemporary energy while remaining warm and tuneful, striking that rare balance between commercial appeal and genuine musicality.

Who it's for

Concert bands looking to program recognizable, energetic contemporary music that students actually want to perform. It works especially well for younger or intermediate ensembles that need accessible repertoire without sacrificing musical integrity.

How to get the most out of it

  • Keep the rhythm section locked in with the groove. This song lives in its pocket, so steady, confident pulse from percussion and low brass anchors everything else.
  • Balance the melodic lines so the tune stays clear even when multiple voices are active. Young players tend to overplay when their part isn't the lead.
  • Pay attention to the recorded accompaniment's dynamic shape. Use it as a reference for where the arrangement breathes and builds energy.
  • Articulation matters here. Crisp tonguing on the eighth note figures keeps the contemporary feel crisp and prevents the arrangement from dragging.

How to use it

Pair this with your concert's lighter or more eclectic set to give audiences a well-arranged pop moment alongside your traditional concert band repertoire. At 2:30, it works as an excellent palette cleanser between larger works or as a finale that leaves the audience energized.

Skills your students will build

  • Maintaining steady groove and contemporary rhythmic feels
  • Balance and blend in a pop-influenced harmonic context
  • Clear articulation in syncopated melodic passages
  • Listening and responding to recorded accompaniment while reading individual parts

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