Beyond The Sea Sheet Music Preview

Beyond The Sea: 3-Part Mixed Choral Octavo

By Albert Lasry / By Charles Trenet / As performed by Bobby Darin / As performed by Roger Williams / Arranged by Audrey Snyder / Arranged by John Higgins

Item: 35-DS00150721

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00150721

More about this title

About the Composer: Albert Lasry

Albert Lasry composed this enduring standard in 1945, creating one of the great post-war pop songs that would define an era. His melody has proven remarkably durable, recorded countless times across genres and decades, evidence of a composer who understood how to write something genuinely memorable.

Why we love this

Snyder and Higgins have crafted an arrangement that honors the song's vintage charm while giving it genuine choral presence. The 3-part mixed voicing stays accessible without sacrificing sophistication, making this equally at home in a concert setting or a pop showcase program.

What to expect

Sophisticated nostalgia. The arrangement captures the elegant melancholy of the original while giving singers enough harmonic interest to stay engaged. There's a wistful, romantic quality that feels both timeless and distinctly mid-century.

Who it's for

Choirs seeking a sophisticated pop standard that works for intermediate to advancing singers. The piece fits programs that blend art song sensibility with popular repertoire, and it's particularly useful for choirs that perform both classical and cabaret-style concerts.

How to get the most out of it

  • Balance the lyrical melody against smooth inner voices; the arrangement rewards a legit approach rather than a belted one.
  • The jazz standard origins mean swing feel matters. Even in 3-part texture, rhythmic precision and gentle swing inflection will bring the arrangement to life.
  • Pay attention to blend in sectional moments where one voice carries the primary material. Clear diction helps without oversinging.

How to use it

Include this on a concert exploring American standards or pairing classical art songs with jazz-influenced pop. It also works as a strong closer for a lighter set, offering accessibility to audiences while showcasing your choir's versatility and musicianship.

Skills your students will build

  • Singing jazz phrasing and swing feel in ensemble
  • Balancing solo melody with harmonic support
  • Legit vocal production in a pop context
  • Reading and interpreting stylistic cues beyond notated markings

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