Beyond the Forest (from <i>The Hobbit: The Desolation of Smaug</i>) Cover Image

Beyond the Forest (from <i>The Hobbit: The Desolation of Smaug</i>): Concert Band Conductor Score & Parts

$80.00 USD
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Beyond the Forest (from <i>The Hobbit: The Desolation of Smaug</i>) Cover Image

Beyond the Forest (from The Hobbit: The Desolation of Smaug): Concert Band Conductor Score & Parts

Music by Howard Shore, lyrics by Philippa Boyens / arr. Patrick Roszell

Grade: 3 (Medium Easy)

Item: 00-42210

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Description
From the critically-acclaimed fantasy film, Howard Shore's haunting and dramatic film score is arranged specifically for outstanding junior high and high school bands, and will be a welcome addition to your pop concert program. (5:15)

For educational usage/non-profit performances only; for professional arrangements, visit our rental library at alfred.com/rental.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Beyond the Forest (from The Hobbit: The Desolation of Smaug): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 192
UPC: 038081486062
SKU: 00-42210

More about this title

About the Composer: Howard Shore

Howard Shore is an Academy Award-winning composer known for creating expansive orchestral scores that define modern fantasy and epic cinema. His work on Peter Jackson's Middle-earth films established him as a master of orchestration at both intimate and grand scales, combining leitmotif development with visceral dramatic impact. Shore's ability to build tension and convey complex emotional landscapes through instrumental color has made his scores a natural fit for concert band arrangement.

Why we love this

This arrangement captures the unsettling beauty of Shore's original score while sitting comfortably in the Grade 3 range, making it genuinely playable for student musicians without sacrificing dramatic weight. The piece brings film music with real artistic substance into your concert program, and audiences instantly recognize and connect with the material. Patrick Roszell's orchestration maintains Shore's signature layering and orchestral color, so students experience sophisticated compositional thinking while they play.

What to expect

The music unfolds with creeping unease, layered textures emerging from darkness as if something vast is stirring beneath the surface. Tension builds through repetition and orchestral weight rather than speed, creating a cinematic intensity that holds listeners in genuine suspense.

Who it's for

This works beautifully for junior high and high school bands seeking concert repertoire that engages both musicians and audiences. Directors building a pop concert or film music program will find this essential; it's substantial enough to anchor a program but accessible enough to rehearse efficiently alongside other material.

How to get the most out of it

  • Establish the brooding, ominous character in rehearsal through careful dynamic control; the power comes from restraint and detail, not volume.
  • Work the brass section on their entrance to sit slightly behind the beat, creating an unsettled, creeping quality that matches the title's imagery.
  • Balance the woodwind inner voices against the melody so atmospheric lines remain visible without overwhelming the harmonic structure.
  • Use the recorded accompaniment to lock ensemble rhythm and tempo, particularly through the longer sectional builds.

How to use it

Program this as a centerpiece for a film music concert or pop concert theme, where it can anchor the second half after lighter, more energetic selections. The five-minute duration gives you flexibility; pair it with contrasting Shore material or other fantasy/epic film scores for a cohesive thematic program.

Skills your students will build

  • Sustaining long melodic lines without diminishing tone quality
  • Balancing multiple layers of texture and maintaining inner voice clarity
  • Executing dynamic control and creating dramatic tension through restraint
  • Reading extended passages of tied notes and whole-note writing
  • Responding to sustained, rubato-like phrasing in a full ensemble setting

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