Beyond (from Moana 2) Sheet Music Preview

Beyond (from Moana 2): E-Z Play Today

As performed by Abigail Barlow & Emily Bear

Item: 35-DS01601552

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$4.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS01601552

More about this title

About the Artist: Abigail Barlow & Emily Bear

Abigail Barlow and Emily Bear are the songwriting duo behind "Beyond," the closing track from Moana 2. Both composers bring strong melodic instincts and an understanding of what resonates with young audiences, crafting songs that balance emotional depth with accessibility.

Their work on the Moana 2 soundtrack demonstrates their ability to write for film while maintaining singable, memorable lines that work equally well in educational and performance settings.

Why we love this

This arrangement captures the reflective, forward-looking quality of the song without overwhelming younger pianists. The melody sits naturally under the hands, and the harmonic language stays straightforward enough that students can focus on phrasing and emotional delivery rather than technical complexity.

What to expect

Hopeful and introspective. The piece unfolds like a quiet conversation with yourself, full of gentle forward motion and moments where you pause to take in the bigger picture. There's warmth beneath the restraint.

Who it's for

Elementary and early middle school pianists who are ready for seven pages of moderate-length material and want to play something contemporary and recognizable. This works especially well for students studying film music or building confidence with longer, single-piece arrangements.

How to get the most out of it

  • Let the melody breathe by easing off the tempo slightly in the second half of phrases; resist the urge to rush through quieter moments.
  • Layer in the accompaniment gradually across the seven pages rather than playing everything at full volume from the start.
  • Listen to the film version to absorb the vocal inflection, then adapt those same expressive choices to the piano part.
  • Treat the left hand as a supporting voice, not a rhythmic metronome; subtle dynamic shaping there makes the entire piece feel more alive.

How to use it

Feature this as a solo piano interlude between more energetic pieces in a spring recital, or pair it with other Disney or contemporary pop arrangements to build a thematic program around modern film scoring. It also serves as an excellent bridge between classical repertoire and music students encounter in their daily lives.

Skills your students will build

  • Playing sustained legato lines with consistent tone quality
  • Balancing melody and accompaniment at the same dynamic level
  • Managing longer phrase structures without losing direction
  • Interpreting film music notation and vocal phrasing for instrumental performance
  • Reading and executing tempo and expression markings over an extended piece

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