Beyond (End Credit Version) (from Moana 2) (arr. Mac Huff): SATB Choral Octavo

Huff captures the emotional weight of this end credit song while keeping the voicing manageable across your section ranges. The arrangement honors the film's Pacific influences without demanding extended techniques, letting your singers connect genuinely with the text and melody.

Contemplative and hopeful, with a warmth that builds gradually across the piece. The arrangement creates intimate moments alongside fuller choral textures, inviting singers to inhabit both vulnerability and strength as the song unfolds.

Middle school through adult choirs seeking contemporary film repertoire that engages singers without overwhelming them technically. This works equally well for concert programs, musical theater units, or any ensemble wanting to program music that resonates with modern audiences.

• Shape the dynamic arc across all 19 pages to mirror the song's emotional journey; resist the urge to sing it uniformly throughout.
• Balance the blend between soloists and full choir, especially in sections where a featured voice carries the primary melodic line.
• Use the harmonic language to anchor tuning; the contemporary chord colors reward precise intonation and careful listening to each other.

Consider pairing this with other film music for a themed concert, or place it as a closing statement that shifts the emotional tone of your program. The end credit origin makes it particularly effective as a final piece that leaves audiences with the song lingering after they leave.

• Balancing solo and ensemble textures
• Shaping longer phrases with intentional dynamic control
• Singing contemporary harmonic language with secure intonation
• Connecting text expression to melodic contour