Beyond Basics: Solo Acoustic Blues Guitar Cover Image

Beyond Basics: Solo Acoustic Blues Guitar: Guitar DVD

$14.95 USD
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Beyond Basics: Solo Acoustic Blues Guitar Cover Image

Beyond Basics: Solo Acoustic Blues Guitar: Guitar DVD

With Keith Wyatt

Item: 00-908115

$14.95
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Description
The history of the blues comes alive as GIT's head instructor Keith Wyatt shows how to play classic chord and single-note phrases on the acoustic. This DVD picks up where Acoustic Blues Guitar leaves off as Keith goes deep into the style with advanced chord and melody combinations, bass lines, the blues scale, turnarounds, bends, hammer-ons, pull-offs, and special fingerpicking ideas. Keith also captures the essence of acoustic blues legends such as Lightnin' Hopkins, Muddy Waters, and Lonnie Johnson.

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Additional Details
Series: Beyond Basics
Publisher: Alfred Music
ISBN10: 0-7579-3964-3
ISBN13: 978-0-7579-3964-8
UPC: 654979093732
SKU: 00-908115

More about this title

About the Author: Keith Wyatt

Keith Wyatt is the head instructor at Guitar Institute of Technology (GIT) and an accomplished performer, educator, and author with deep roots in blues guitar pedagogy. His teaching approach centers on extracting the essential techniques and phrasing from blues masters, then building a learner's understanding from foundational concepts toward advanced stylistic command.

Why we love this

This DVD respects the acoustic blues tradition by going beyond technique checklist and instead modeling how legends like Lightnin' Hopkins and Lonnie Johnson actually played. Wyatt's instruction pairs historical context with hands-on demonstration, so students understand not just what to play but why these phrases matter to the blues idiom.

What to expect

Raw and intimate. Acoustic blues thrives on clarity and directness, and this DVD captures the unadorned power of a single guitar voice telling stories through bent notes, walking basslines, and conversational phrasing. You hear the fingernail attack, the resonance of the instrument, and the quiet urgency of blues storytelling stripped to its essentials.

Who it's for

Intermediate to advanced acoustic guitar players who have solid foundational skills and want to move beyond basic blues patterns into the sophisticated phrasing and technique of classic acoustic blues artists. This is ideal for players who already understand chord changes and basic fingerpicking and are ready to deepen their command of the style's vocabulary and history.

How to get the most out of it

  • Study the bass line construction separately from the melody. Acoustic blues demands independence between your thumb and fingers; isolate the bassline work until it becomes automatic, then layer melody on top.
  • Listen closely to how Keith executes hammer-ons and pull-offs within the phrasing. The timing and tone quality matter as much as the technical execution; rush through these ornaments and you lose the blues feel.
  • Work through the turnaround examples in multiple positions on the neck. A turnaround that sits comfortably in one key or position will feel awkward in another; familiarity across the fretboard expands your vocabulary.
  • Record yourself playing the chord progressions and blues scales, then practice soloing over your own accompaniment. This trains your ear to hear changes and builds confidence improvising within the style.

How to use it

This works best as a self-directed study tool for students preparing solo recitals, as a resource for ensemble guitarists deepening their blues vocabulary outside of ensemble rehearsal, or as supplementary material in a guitar elective or private lesson sequence focused on American roots music and improvisation.

Skills your students will build

  • Advanced chord voicings and substitutions in blues progressions
  • Single-note soloing using the blues scale with bends and articulation
  • Bass line construction and thumb-finger independence in fingerpicking
  • Turnaround phrasing and transitions between verse and chorus
  • Hammer-on and pull-off technique applied to blues melodic contexts
  • Listening and transcription skills through studying specific artists
  • Improvisation within 12-bar blues form with stylistic accuracy

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