Beyond Basics: Acoustic Slide Guitar
By Keith Wyatt
Item: 00-PB-0002240
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About the Composer: Keith Wyatt
Keith Wyatt is a guitarist and educator with deep roots in blues tradition and fingerstyle technique. His teaching philosophy centers on understanding the mechanics behind authentic playing styles, helping students internalize the thinking of foundational blues artists rather than simply copying licks.
Why we love this
Wyatt structures this book around the actual choices players face: which slide to buy, how to set up your guitar for open tuning, when to use a capo across different phrases. Rather than presenting slide guitar as a separate technique, he threads it through the work of two giants so students understand the stylistic reasoning behind every move. The 57 examples give you room to teach without constantly hunting for supplementary material.
What to expect
Raw and expressive, with an emphasis on the physicality of slide guitar. You'll feel the constraint and freedom that comes with open tuning, the way a single slide can turn a simple phrase into something that bends and wails with genuine feeling. There's a rootedness to this work that comes from studying the real masters.
Who it's for
Acoustic guitarists who already read standard notation and tab but want to unlock slide playing and connect it to the blues tradition. This suits advanced students who are ready to move beyond basic chords and simple fingerpicking into more nuanced stylistic work.
How to get the most out of it
- Spend time experimenting with different slide materials and weights before settling on one; the slide you choose affects how cleanly you can execute bends and control feedback in a live setting.
- Lock the open tuning into your ear by playing simple drone exercises before moving into the blues patterns; this trains your ear to hear intervals relative to the new pitch center.
- Study Muddy Waters and Elmore James recordings in parallel with the notation; their phrasing often sits ahead of or behind the beat in ways that notation alone cannot capture.
- Practice the capo applications in different positions; moving between open position and capo'ed positions requires retraining your muscle memory for familiar lick shapes.
How to use it
Use this in an intermediate to advanced guitar elective or as enrichment material for students in a blues history unit. It pairs naturally with listening assignments on Muddy Waters and Elmore James, helping students understand how technique and tradition intertwine.
Skills your students will build
- Open tuning mechanics and setup (specifically blues tuning)
- Slide guitar technique including tone control and intonation
- Capo usage across multiple positions and tuning contexts
- Stylistic licks and phrasing in the Muddy Waters and Elmore James traditions
- Reading and performing from standard notation and tablature simultaneously
- Ear training for pitch relationships in alternate tunings