David Cumming is a composer and musical theatre writer whose work spans contemporary musical theatre and collaborative projects. He co-created Operation Mincemeat with Felix Hagan, Natasha Hodgson, and Zoƫ Roberts, bringing a sharp ear for character-driven songwriting and theatrical storytelling to the stage.
Why we love this
This number captures a moment of comedic tension through music, with clever vocal writing that demands precise character work from singers. The collaborative composition creates a piece that sits comfortably in contemporary musical theatre without sacrificing singability, making it rewarding for student performers learning to balance character comedy with musical integrity.
What to expect
Sharp, witty, and unexpectedly tender in pockets. The piece thrives on personality and specificity, inviting singers into a moment where intelligence and playfulness collide.
Who it's for
Singers comfortable with contemporary musical theatre material and comfortable finding humor and character specificity in performance. This works well in voice studios, musical theatre programs, and concert settings where modern Broadway repertoire belongs.
How to get the most out of it
Identify the comedic beats within the lyric and let them breathe; rushing will flatten the humor that the music is built to support.
Pay attention to the piano part for rhythmic and tonal cues about how to shape your phrases and where to land vocal emphasis.
Treat the accompaniment as a conversation partner rather than background; it's actively storytelling alongside you.
How to use it
Pair this with other contemporary musical theatre selections for a modern Broadway showcase, or program it alongside other character songs where storytelling outweighs vocal display. It also serves well as a lesson piece for students learning how composers use music to enhance comedic timing.
Skills your students will build
Sustaining character and comedic timing across a musical phrase
Rhythmic clarity in contemporary musical theatre idiom
Collaborative listening between voice and piano part
Navigating lyrics with specific articulation and intention
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