Between Two Lands (for right hand alone) Cover Image

Between Two Lands (for right hand alone): Piano Sheet

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Between Two Lands (for right hand alone) Cover Image

Between Two Lands (for right hand alone): Piano Sheet

By Sharon Aaronson

Level: Late Intermediate

Item: 00-18997

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Description
Using only the right hand, the pianist performs a haunting, British folk-tune flavored piece, covering most of the keyboard without undue difficulty, using the sustain pedal to fill out the piano's sound so that the left hand's contribution is not missed. It is written in C Major, with eighth note running patterns, and some dotted eighth note rhythms, in 3/4 time, and in an easy andante tempo. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Between Two Lands (for right hand alone): Piano Sheet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-0320-8
ISBN13: 978-0-7390-0320-6
UPC: 038081176185
SKU: 00-18997

More about this title

About the Composer: Sharon Aaronson

Sharon Aaronson brings a composer's sensitivity to solo keyboard writing, with an ear for lyrical, accessible material that doesn't sacrifice musical substance. Her work across multiple levels demonstrates a commitment to giving students pieces worth learning, not just hurdles to clear.

Why we love this

Sharon Aaronson writes for the hand that's actually playing, and this piece proves it. Rather than faking fullness with unnecessary left-hand filler, she uses the sustain pedal as a compositional tool, letting the right hand carry melody and texture across the full keyboard while trusting the pedal to supply the warmth. It's the kind of writing that feels liberated rather than limited.

What to expect

Haunting yet unhurried, this piece evokes the pastoral quality of British folk tradition while unfolding across the keyboard with an almost improvisational grace. The andante pace and 3/4 meter create a gently rocking motion, and the sustain pedal transforms what could be spare writing into something luminous and full.

Who it's for

Late-intermediate pianists ready to explore right-hand independence and pedal technique without the coordination demand of two-handed writing. Solo recital performers will find a piece that sounds fuller and more sophisticated than its technical requirements suggest. It's equally rewarding for students building musicianship through single-hand work or recovering from injury.

How to get the most out of it

  • Experiment with pedal timing before settling on a single approach; the sustain pedal isn't simply held down but lifted and reapplied strategically to prevent muddiness while maintaining resonance.
  • Shape the eighth-note running patterns by thinking of them as voice-like passages rather than mechanical runs; slight tempo flexibility in the andante will bring out the folk-tune character.
  • Let the dotted rhythms breathe; they're the piece's rhythmic anchor, so articulate them clearly even as surrounding figures move more fluidly.

How to use it

Program this as a character piece that showcases a different side of your student's artistry. It works well in a recital among larger works, offering an intimate moment that doesn't demand the velocity or drama of a sonata movement. The folk-flavored warmth also suits coffeehouse settings or informal concert environments where traditional recital expectations ease.

Skills your students will build

  • Right-hand independence and melodic shaping across a wide range
  • Strategic sustain pedal use as a compositional and textural element
  • Sight-reading eighth-note patterns and dotted rhythms in 3/4 time
  • Phrasing and musical interpretation within an andante tempo

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