Between These Holy Mountains Sheet Music Preview

Between These Holy Mountains: Full Orchestra Conductor Score & Parts

Arranged by Joshua Armenta

Item: 35-PK00267942

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$31.70

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Description
"It was the wind that gave them life. It is the wind that comes out of our mouths now that gives us life. When this ceases to blow we die. In the skin at the tips of our fingers we see the trail of the wind; it shows us the wind blew when our ancestors were created." - from the Navajo Blessingway Ceremony Duration: 12:00

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00267942

More about this title

Why we love this

Armenta anchors this work in an indigenous philosophical perspective, transforming the Navajo Blessingway meditation on breath and life force into orchestral language. The arrangement respects the spiritual gravity of the source material while giving your ensemble a 12-minute piece that demands genuine interpretive maturity.

What to expect

Contemplative and expansive. The piece breathes with the patient unfolding of ceremony, where individual instruments emerge from and return to a larger harmonic bed. There's a weight to the orchestration that honors the sacred source material.

Who it's for

Orchestras seeking a substantial modern work that connects to world cultures and philosophical depth. This suits ensemble programs where meaningful programming takes priority over crowd-pleasing virtuosity.

How to get the most out of it

  • Approach the opening as a collective inhale. The full orchestra should listen to one another, building texture gradually rather than entering as separate instrumental voices.
  • Study the Navajo Blessingway context before rehearsals begin. Your musicians will play with deeper intention when they understand the ceremony's emphasis on breath as sustenance.
  • Balance clarity with reverence. Many passages likely layer multiple timbres; resist the impulse to separate them. Let woodwinds, strings, and brass find their natural blend.
  • Use fermatas to create space. Rather than rushing through transitions, lean into the silence between sections to reinforce the meditative quality.

How to use it

Consider programming this as the anchor for a thematic concert exploring non-Western musical traditions or the intersection of art and spirituality. Its 12-minute length makes it ideal as a second half opener, allowing the audience a moment of collective reflection.

Skills your students will build

  • Listening for blend and balance within dense orchestral textures
  • Sustaining long phrases with awareness of breath and phrasing across a full ensemble
  • Interpreting music informed by non-Western cultural and spiritual traditions
  • Responding to conductor nuance in sustained, meditative passages

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