Best of In Recital Solos, Book 1 Cover Image

Best of In Recital Solos, Book 1: Piano Book

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Best of In Recital Solos, Book 1 Cover Image

Best of In Recital Solos, Book 1: Piano Book

By Helen Marlais

Item: 98-FJH2242

$8.50
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Description
We’ve chosen the best solos from the In Recital® series, and put them under one cover. Book 1 features 13 pieces: eight original solos, three folk tunes, and two classical arrangements. There is a wide-range of styles: lyrical pieces from Melody Bober, Mary Leaf, and Elizabeth Greenleaf; a rag from Jason Sifford; a jazz piece from Christopher Goldston; and a gospel number from Edwin McLean. Some have optional duet parts. Free downloadable recordings assist in preparation and serve as a motivational tool.

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Additional Details
Series: The FJH Pianist's Curriculum
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61928-097-3
ISBN13: 978-1-61928-097-7
UPC: 674398232383
SKU: 98-FJH2242

More about this title

About the Composer: Helen Marlais

Helen Marlais is a founding member of the FJH Music Company and has shaped elementary piano pedagogy for decades through her work curating and developing The FJH Pianist's Curriculum. Her approach to repertoire selection prioritizes musical authenticity and student engagement, understanding that young pianists learn best when they encounter diverse genres and compositional voices.

Marlais brings a curator's eye to her anthologies, carefully balancing technical accessibility with genuine artistic merit. Her ability to recognize repertoire that excites students while reinforcing core skills has made her collections indispensable in studio and classroom settings.

Why we love this

This collection refuses the one-style-fits-all approach that dominates early repertoire. Within 13 pieces, students encounter syncopated ragtime, jazz voicings, gospel idioms, and classical forms, which means every student finds something that speaks to them while discovering new musical territory. The optional duet parts transform solo practice into collaborative moments, deepening both musicianship and ensemble awareness.

What to expect

Walking through a musical gallery where each room holds a different world. One moment you're deep in a gentle lyrical piece; the next, rhythmic energy breaks through in a rag or gospel number. The classical arrangements ground it all in tradition, while original pieces feel contemporary and alive.

Who it's for

Elementary and early elementary pianists building their solo repertoire. Teachers seeking a diverse, cohesive collection that exposes young players to multiple genres without overwhelming them with technical demands.

How to get the most out of it

  • Explore the recorded accompaniments not just as practice aids but as models for interpretation. Notice how dynamics shape phrasing in the lyrical pieces and how swing feel works in the jazz number.
  • Select pieces strategically across lessons so students aren't always playing in the same key or time signature. The variety itself trains adaptability.
  • When assigning duet parts, pair students thoughtfully. A stronger reader paired with an emerging one creates natural mentoring, and the partnership often generates enthusiasm both players wouldn't have alone.

How to use it

Pull individual pieces for student recitals rather than programming the entire book at once, allowing you to match pieces to performers throughout the year. The stylistic range makes it ideal for a "musical tour" concert where each student represents a different genre, giving audiences and students alike a broader view of what piano music can be.

Skills your students will build

  • Recognizing and performing stylistic characteristics (ragtime syncopation, jazz swing, gospel phrasing)
  • Reading and executing varied rhythmic patterns across multiple time signatures
  • Interpreting dynamic and expressive markings in contrasting musical contexts
  • Sight-reading confidence through exposure to diverse compositional voices
  • Ensemble awareness through optional duet parts

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