Berceuse from Dolly Op. 56 (Arranged for Violin and Piano) Cover Image

Berceuse from Dolly Op. 56 (Arranged for Violin and Piano): Violin & Piano

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Berceuse from Dolly Op. 56 (Arranged for Violin and Piano) Cover Image

Berceuse from Dolly Op. 56 (Arranged for Violin and Piano): Violin & Piano

La Chanson dans le jardin

By Gabriel Fauré / arr. Roy Howat / ed. Roy Howat

Item: 98-EP7624

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Description

Gabriel Fauré composed two famous Berceuses, of which one - in D major, Op.16 - was conceived for violin and piano (see our Anthology of Fauré's pieces for Violin and Piano, EP 7515). This is the other one. Composed as a piano duet, it found fame as the opening movement of Fauré's Dolly suite, Op.56.... Fauré was never a purist about transcriptions, and several of his pieces (not least his Pavane and Sicilienne) exist in various arrangments made or encouraged by Fauré, responding to performing needs of the moment. (Roy Howat)

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 14
ISBN10: 0-57-708417-8
ISBN13: 979-0-5770-8417-6
SKU: 98-EP7624

More about this title

About the Composer: Gabriel Fauré

Gabriel Fauré (1845-1924) shaped French musical life across six decades as composer, teacher, and director of the Paris Conservatoire. His gift for melody and harmonic subtlety influenced generations of students and composers. Fauré wrote naturally across all genres, yet never considered himself bound by original instrumentation; he actively encouraged and sometimes arranged his own works to meet the needs of performers and audiences.

Why we love this

Roy Howat's violin arrangement captures everything that makes the original piano duet enchanting while freeing the melody to sing with natural elegance on the instrument. This is a Fauré piece that intermediate violinists actually want to play, offering both accessibility and real musical substance in a compact, rewarding form.

What to expect

The Berceuse unfolds like a gentle lullaby suspended in soft light. Its rocking motion and warmly voiced D major tonality create an intimate, almost domestic atmosphere, inviting performer and listener alike into a space of calm reflection rather than dramatic gesture.

Who it's for

This arrangement suits intermediate to advanced-intermediate violinists who are ready for Romantic-era phrasing and want to deepen their relationship with French musical language. Duet players seeking repertoire that is musical without being technically overwhelming will find this an ideal addition to recital or studio programs.

How to get the most out of it

  • Shape the opening phrase with a gentle, singing tone; the D major key and lullaby character ask for warmth and restraint rather than projection
  • Balance carefully with your pianist, especially in passages where the violin and upper piano voices move together; clarity matters more than volume
  • Allow slight rubato in the melody without disrupting the piano's steady accompaniment, letting the gentle rocking motion suggest rather than declare itself
  • Pay attention to dynamic contours within phrases rather than holding a single level throughout; these subtle shifts give the berceuse its flowing, natural quality

How to use it

Program this alongside other French chamber works for violin to create a cohesive thematic evening, or use it as a graceful contrast piece in a recital that includes more demanding or dramatic repertoire. Its brevity and gentle character also make it an excellent choice for student recitals where you want to showcase poise and musical maturity.

Skills your students will build

  • Lyrical phrasing and long-line singing tone in a Romantic context
  • Balance and blend in violin-piano duet texture
  • Subtle dynamic shaping and rubato within a steady harmonic framework
  • Interpretation of French musical style and character

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