Benda: Sonatina in A Minor Cover Image

Benda: Sonatina in A Minor: Piano Sheet

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Benda: Sonatina in A Minor Cover Image

Benda: Sonatina in A Minor: Piano Sheet

By Georg Anton Benda / ed. E. L. Lancaster and Kenon D. Renfrow

Level: Intermediate

Item: 00-8047

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Description
An intermediate student will enjoy playing this entertaining, one-movement Sonatina by Georg Anton Benda (1722-1795), who was born in Prague, Czechoslovakia, to a famous musical family and worked in orchestras in the courts of Gotha and Prussia. Written in classical style, with broken chords and short sections of scale work, the Sonatina also has a variety of touches, phrasing and dynamic treatments, and a left-hand-over section that is a lot of fun to play.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-1069-7
ISBN13: 978-0-7390-1069-3
UPC: 038081059617
SKU: 00-8047

More about this title

About the Composer: Georg Anton Benda

Georg Anton Benda (1722–1795) was a Bohemian composer and violinist whose career spanned the transition from Baroque to Classical style. Born into Prague's distinguished Benda family of musicians, he held prominent positions in the courts of Gotha and Prussia, where he composed orchestral works, chamber music, and keyboard pieces that circulated widely throughout Europe during his lifetime. His sonatinas and sonatas remain valuable repertoire for developing pianists seeking authentic Classical-era writing with genuine musical substance.

Why we love this

Benda's one-movement design cuts through the formal architecture of Classical sonata form without sacrificing musical depth, making it ideal for students who need a complete, satisfying work without the length commitment of a three-movement piece. The writing balances technical instruction with genuine musicianship: broken chords and scale passages develop facility, while the contrasting touches, phrasing, and dynamic shadings teach interpretive judgment.

What to expect

Elegant and playful, with a bright Classical sensibility that never strains. The one-movement form unfolds naturally from exposition to development and return, inviting the player into a satisfying narrative arc that feels complete in just a few minutes. The hand-crossing passage adds a theatrical flourish that breaks the formal mold and rewards committed playing with genuine fun.

Who it's for

Intermediate pianists ready to explore authentic Classical repertoire and develop independence between hands. This sonatina suits students who have secure technique in hand crossing, broken chords, and scale passages but are still building interpretive maturity and the ability to project contrasting characters within a single work.

How to get the most out of it

  • Shape the broken chord passages as melodic units rather than mechanical figures; let the contour of the arpeggiation breathe with the phrasing marks.
  • Approach the left-hand-over section with clear voice leading between the upper and lower lines so the hand crossing becomes a musical event, not just a technical stunt.
  • Use the variety of dynamic markings as your roadmap for structural clarity; each shift in volume reveals a new phrase boundary and keeps the form transparent.
  • Balance the scale work against the harmonic rhythm so passages feel purposeful rather than fill. Let the tempo breathe slightly into longer note values.

How to use it

Position this as a complete, polished recital piece on a student showcase or studio performance. Its manageable length and focused character make it an excellent choice for pairing with Romantic-era works on a varied program, offering stylistic contrast while maintaining strong musicianship standards.

Skills your students will build

  • Articulating broken chord figures with melodic shape
  • Executing hand crossings with rhythmic precision and continuity
  • Interpreting dynamic and phrasing contrast to clarify formal structure
  • Reading and executing scale passages at tempo without sacrificing musical intent
  • Balancing texture and voice leading across the keyboard in Classical-style writing

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