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Bend It like Beckham: The Musical (Vocal Selections): Piano & Voice

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Bend It like Beckham: The Musical (Vocal Selections) Cover Image

Bend It like Beckham: The Musical (Vocal Selections): Piano & Voice

Music by Howard Goodall / Lyrics by Charles Hart

Level: Intermediate

Item: 12-057153936X

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Description
The approved songbook for Bend It like Beckham: The Musical, a musical adaptation of the 2002 film that has enjoyed a sell-out run in London's West End. Composed by Howard Goodall, with lyrics by Charles Hart, it opened at London's Phoenix Theatre in May 2015 to five-star reviews and was voted Time Out London's Best West End Musical. This approved songbook contains 10 songs from the musical, arranged for piano and voice.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-53936-X
ISBN13: 978-0-571-53936-9
UPC: 9780571539369
SKU: 12-057153936X

More about this title

About the Composer: Howard Goodall

Howard Goodall is a British composer, conductor, and broadcaster whose work spans classical, musical theatre, and television scoring. His ability to craft accessible yet sophisticated melodies has made him a distinctive voice in contemporary musical theatre, with particular skill in adapting existing narratives into compelling stage works.

Why we love this

Goodall's score captures the energy and emotional core of the film while standing entirely on its own as theatre music. The songs balance memorable pop sensibility with genuine theatrical storytelling, giving singers substantial material that ranges from intimate character moments to ensemble-driven celebration. This is a songbook that respects both the intelligence of your singers and the audience's ear.

What to expect

Energetic, modern, and rooted in genuine human emotion. The score pulses with contemporary pop-influenced rhythms while maintaining the emotional honesty required for moments of vulnerability. There's joy in the storytelling and a sense of celebration woven throughout.

Who it's for

Singers preparing audition material from contemporary musical theatre repertoire, vocalists looking to expand beyond traditional standards into film-to-stage adaptations, and music theatre programs seeking accessible yet musically satisfying material for recitals or concert programming.

How to get the most out of it

  • Balance the piano writing against your vocalist's voice; these arrangements sit comfortably in the middle register but require clear diction to land the contemporary lyrics.
  • Pay attention to the rhythmic precision in the accompaniment, particularly in uptempo numbers where syncopation drives the energy forward.
  • Use the natural speech rhythms embedded in Charles Hart's lyrics as your guide for phrasing; these songs feel conversational even when fully sung.

How to use it

These selections work beautifully as a standalone concert or as part of a musical theatre recital showcasing recent West End hits. You might also use individual songs as audition material or as part of a showcase celebrating film-to-stage adaptations.

Skills your students will build

  • Singing contemporary pop-influenced melodies with theatrical clarity
  • Navigating syncopated rhythms and contemporary phrasing against a piano accompaniment
  • Sustaining character voice through conversational, speech-like lyrical delivery
  • Collaborating with a pianist to balance vocal line and accompaniment texture

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