Belwin Master Duets (Saxophone), Intermediate Volume 2 Cover Image

Belwin Master Duets (Saxophone), Intermediate Volume 2: Saxophone Book

$7.95 USD
Sale price  $7.95 USD Regular price 
Skip to product information
Belwin Master Duets (Saxophone), Intermediate Volume 2 Cover Image

Belwin Master Duets (Saxophone), Intermediate Volume 2: Saxophone Book

Composed or arr. Keith Snell

Level: Intermediate

Item: 00-EL03646

$7.95
Shipped

One moment…

Description
A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegretto (Haydn) * Bouree (Bach) * Down By the Riverside (American Negro Spiritual) * Etude (Gounod) * Folk Dance (Danish Traditional) * Fughetta (Pachelbel) * Gavotte (Handel) * Gigue (Handel) * March for Little John (Snell) * Menuett (Bach) * Rondo (Clementi) * Round (Byrd) * Sonatina (Reiche) * Sonatina (Schmitt) * Windmills (Snell).

Belwin Master Duets (Saxophone), Intermediate Volume 2: Saxophone Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Belwin Master Duets
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2675-2
ISBN13: 978-0-7692-2675-0
UPC: 029156172232
SKU: 00-EL03646

More about this title

About the Arranger: Keith Snell

Keith Snell has established himself as a trusted voice in woodwind and brass pedagogy through decades of arranging and composing for student musicians. His work with the Belwin Master Duets series reflects a deep understanding of what intermediate players need: accessible literature that bridges classical repertoire with original compositions that keep students engaged.

Why we love this

Snell's curation balances historical literacy with genuine playability. You get Bach and Handel alongside spirituals and folk material, plus his original pieces that feel written specifically for how saxophones actually work together. The collection moves beyond recycled beginner fare without demanding virtuosity.

What to expect

The collection spans a wide emotional and stylistic range. You move from the geometric precision of a Pachelbel fughetta to the storytelling warmth of a spiritual, then into Snell's own character pieces that feel contemporary without sounding out of place alongside the masters. It's music that rewards careful listening.

Who it's for

Intermediate saxophonists ready to work beyond method book duets will find this collection essential for developing ensemble skills and musical maturity. Directors can use individual pieces for sectional rehearsals, recital preparation, or as supplemental reading material that doesn't require full band context.

How to get the most out of it

  • Build ensemble balance by having the second saxophone adjust dynamic shape rather than always pulling back. The goal is blend, not subordination.
  • Establish clear articulation patterns in the opening measures of each duet. Once both players commit to matching tonguing or style, intonation often settles naturally.
  • Treat the baroque and classical selections as conversations. Phrase with intention even in short movements; these pieces reward musical dialogue over mechanical accuracy.
  • Use folk material to explore rubato and expression within a steady tempo. Songs like Down By the Riverside benefit from breathing room that a metronome sometimes prevents.

How to use it

These duets work beautifully as student recital vehicles, offering variety that keeps audiences engaged across multiple performances. They're also ideal for developing independence and listening skills during sectional rehearsals when full ensemble playing isn't possible. Many directors pair selections from this book with solo concerto movements to create balanced recital programs.

Skills your students will build

  • Listening and adjusting to a partner's sound and intonation
  • Phrasing control across varied harmonic contexts
  • Baroque articulation and style conventions
  • Breath management in dialogue-driven writing
  • Reading and interpreting varied compositional periods

You May Also Like