Belwin Concert Band Classics, Volume 1 (Expanded) Cover Image

Belwin Concert Band Classics, Volume 1 (Expanded): Concert Band CD

$16.95 USD
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Belwin Concert Band Classics, Volume 1 (Expanded) Cover Image

Belwin Concert Band Classics, Volume 1 (Expanded): Concert Band CD

Performed by The Washington Winds

Item: 00-EL9708CD

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Description
Recorded selections from the 1994-1995 Belwin Classic Band Series plus three new selections from the 1996-1997 series. The new 1996-1997 selections are: Variations on a Theme of Robert Schumann (Jager) * Autumn (from The Seasons, Opus 67) (arr. Bancroft) * Fantasia for Band (Giannini). The 1994-1995 titles are: Trittico (Nelhybel) * The Silver Quill (Harpham/Nestico) * Fiddle-Faddle (Anderson/Lang) * Repercussion (Pearson) * American Salute (Gould/Lang). Recorded by The Washington Winds, Edward Petersen, Conductor.

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Additional Details
Publisher: Alfred Music
UPC: 029156299878
SKU: 00-EL9708CD

More about this title

About the Artist: The Washington Winds

The Washington Winds are a professional concert band ensemble based in the Washington, D.C. area, known for championing American band literature and expanding the concert band repertoire. Under the direction of Edward Petersen, the ensemble has recorded extensively for educational purposes, making high-quality concert band performances accessible to students and teachers across the country.

The Washington Winds' recordings have become standard reference recordings in music education, helping band directors hear how established professional ensembles interpret classic and contemporary band works. Their performances emphasize clarity, precision, and stylistic authenticity across genres ranging from classical transcriptions to modern original compositions.

Why we love this

This recording captures eight essential works that define the concert band repertoire, and having them performed by a professional ensemble lets your students hear the standard of execution they're working toward. The mix of classic light music (Anderson, Gould), contemporary concert pieces (Nelhybel, Giannini), and transcriptions (Tchaikovsky) gives you reference recordings across multiple styles and difficulty levels.

What to expect

The recordings showcase the warmth and precision of a mature concert band sound: full brass sections cutting through with clarity, woodwinds blending seamlessly, and rhythm sections anchoring everything with confidence. You'll hear the dramatic architecture of pieces like Fantasia for Band alongside the sparkling lightness of Fiddle-Faddle, with transcriptions like Autumn capturing the lyrical beauty these works are meant to convey.

Who it's for

Band directors preparing to teach any of these eight works will find this recording invaluable for understanding the intended style, tempo, and balance of each piece. Students in concert bands at the intermediate through advanced levels benefit from hearing how professional ensembles execute works they are learning.

How to get the most out of it

  • Use this recording during sectional rehearsals to let individual parts hear how they sit within the full ensemble texture and balance.
  • Listen through the entire disc before teaching any of these pieces so you can identify interpretive choices (tempos, articulation, dynamics) that resonate with your own musical instincts.
  • Reference specific moments in the recording when working on intonation or blend in passages where your band struggles to match the recorded sound.

How to use it

Program this as a reference tool during the year when you're working on repertoire selections or teaching specific pieces from the Belwin Classic Band Series. Play selections in rehearsal when introducing a new work, then return to them periodically as your band develops to track how your interpretation evolves.

Skills your students will build

  • Listening for balance and blend in multi-section ensembles
  • Understanding stylistic interpretation across varied concert band repertoire
  • Recognizing proper intonation standards in professional band sound
  • Identifying dynamic shaping and phrasing in light music versus concert pieces

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