Bellas Opening Sheet Music Preview

Bellas Opening: SSA Choral Octavo

As performed by Samuel A. Ward / Arranged by Deke Sharon

Item: 35-DS00315093

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Additional Details
Publisher: Hal Leonard
Page Count: 30
SKU: 35-DS00315093

More about this title

About the Artist: Samuel A. Ward

Samuel A. Ward (1847-1902) composed music during a transformative period for American hymnody and popular song. His most enduring work, "America the Beautiful," set to the melody "Materna," became one of the nation's most recognized and beloved compositions. Ward's gift for crafting singable, memorable melodies made his work accessible to amateur musicians and professional ensembles alike, securing his place in American musical heritage.

As an educator and composer, Ward understood how to write for voices of varying ability levels. His melodies sit naturally in the voice, rarely requiring excessive range or technical display. This practicality, combined with genuine artistic merit, explains why his work continues to appear in choirs and schools more than a century after his death.

Why we love this

Deke Sharon's arrangement captures the iconic opening of "Pitch Perfect" with genuine choral craft. The SSA voicing is transparent and playable without sacrificing the energy that makes this moment so memorable to audiences, while Sharon's voice leading keeps rehearsals focused on ensemble blend rather than survival.

What to expect

Energetic and modern, with the infectious appeal of a pop arrangement that doesn't sacrifice musicality. The voices move with clarity and purpose, creating a sound that feels both contemporary and crafted.

Who it's for

Choirs looking for contemporary a cappella material that connects with audiences beyond traditional concert settings. The SSA voicing makes this accessible to treble choirs, emerging mixed choirs, or ensembles performing film and musical theater crossover programming.

How to get the most out of it

  • Establish a clear pulse before the first entrance; this opening thrives on rhythmic precision and a sense of controlled excitement rather than rushing.
  • Balance the three voices so that no single line dominates; the effect depends on hearing them as integrated layers, not a melody with accompaniment.
  • Record a rehearsal mix and listen back as a full choir to identify any voice that's sitting too far forward or backward in the texture.

How to use it

Open a concert with this to immediately engage an audience familiar with the film, or pair it with other contemporary a cappella material to showcase your choir's range across styles. It also works beautifully as an encore that leaves the concert hall in high spirits.

Skills your students will build

  • Blending three independent vocal lines into cohesive ensemble sound
  • Maintaining rhythmic precision in a cappella singing without instrumental reference
  • Navigating modern pop arrangements with musicality and intentional phrasing
  • Reading closely voiced SSA writing with active voice independence

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