Bella Notte (This Is The Night) (from Lady And The Tramp) Sheet Music Preview

Bella Notte (This Is The Night) (from Lady And The Tramp): Clarinet Solo

As performed by Peggy Lee

Item: 35-DS00328975

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00328975

More about this title

About the Artist: Peggy Lee

Peggy Lee was a jazz and pop vocalist whose smoky, sophisticated voice defined mid-century American popular music. Beyond her recording career, Lee's artistry shaped how musicians approach phrasing, dynamics, and emotional storytelling in song. Her work on Disney's Lady and the Tramp introduced generations of listeners to standards that remain central to musical theater and jazz education.

Why we love this

Bella Notte is a genuinely singable melody that sits comfortably on clarinet while retaining the warmth and character that made the original so memorable. Young players get to experience a piece of film history that feels both achievable and rewarding, making it excellent for building confidence without sacrificing musicality.

What to expect

Warm, nostalgic, and gently romantic. The melody unfolds with an easy grace that evokes candlelit moments and genuine tenderness, inviting the player to explore what it means to play with intimate expression rather than technical display.

Who it's for

Clarinet students in the early intermediate range looking for accessible concert repertoire with genuine appeal. This works equally well for young players preparing for festivals or recitals and for ensemble directors building variety into a program.

How to get the most out of it

  • Shape the phrase to breathe where a vocalist would, not where the clarinet's technical breaks naturally fall. This keeps the line singing rather than choppy.
  • Lean into the legato quality by connecting notes with a warm tone quality; think of this as accompanying the original vocal line rather than playing around it.
  • Allow the simplicity of the melody to be your strength. Subtle dynamic shaping and careful attention to articulation create interest without embellishment.

How to use it

Pair this with other film or musical theater selections to create a thematic concert segment, or feature it as a solo moment within a larger youth concert. It works particularly well in spring programs where lighter material balances heavier seasonal repertoire.

Skills your students will build

  • Sustained legato phrasing across moderate phrase lengths
  • Dynamic control and subtle tone shaping for expressiveness
  • Connection between the printed notes and the vocal tradition the melody comes from
  • Confidence performing recognizable material in a solo setting

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