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Bella Bimba: 2-Part Young Voices Choral Octavo

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Bella Bimba Cover Image

Bella Bimba: 2-Part Young Voices Choral Octavo

Arr. Robert DeCormier

Item: 00-LG52942

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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Bella Bimba: 2-Part Young Voices Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 8
UPC: 783556021803
SKU: 00-LG52942

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier studied at the Juilliard School and built a career spanning multiple musical worlds: Broadway stages, opera houses, concert halls, and folk traditions. He served as music director of the New York Choral Society for seventeen years, worked as conductor and arranger for Harry Belafonte, and held the position of music director for Peter, Paul and Mary from 1978 to 2010. He also taught conducting and ensembles at the Eastman School of Music from 1972 to 1977.

Beyond the concert stage, DeCormier founded Counterpoint, a professional vocal ensemble based in Vermont, and helped establish the Vermont Symphony Orchestra Chorus. His arrangements span African-American spirituals, American folk songs, and international repertoire. His work earned recognition including the Vermont Governor's Award for Excellence in the Arts (2002) and a Lifetime Achievement Award from the New England Choral Arts Foundation (2006).

Why we love this

DeCormier's gift for folk arrangement shines here without overshadowing young singers. The voicing sits comfortably in the treble range, the text stays conversational and engaging, and the harmonic movement supports rather than complicates the melody. Young choirs sound mature singing this piece.

What to expect

Bella Bimba carries the warmth and simplicity of Italian folk tradition. The melody unfolds with natural lyricism, and the two-part texture creates gentle harmonic color without demanding technical virtuosity. There's an intimacy here that invites singers to connect with the text and each other.

Who it's for

This arrangement suits middle school through early high school choirs with basic two-part experience. Young singers benefit from the accessible range, straightforward harmonic language, and the cultural authenticity that comes from DeCormier's deep knowledge of folk traditions.

How to get the most out of it

  • Keep the tempo conversational and unhurried. Folk songs live in their phrasing, not in pushing forward, so let the text breathe naturally.
  • Balance the two parts so the melody line (typically higher) remains clear while the lower voices provide warm harmonic support.
  • Work the diction early: Italian syllables should feel sung, not spoken, even in a young ensemble.

How to use it

Pair this with other folk arrangements to build a concert segment that celebrates cultural vocal traditions. Its modest length and uplifting character work well as a concert opener or as part of a youth choir showcase where you want to demonstrate musicality and cultural awareness alongside technical skill.

Skills your students will build

  • Reading two independent vocal lines with attention to voice independence
  • Singing in a language other than English with proper diction and vowel shape
  • Balancing melody and harmony to support overall ensemble blend
  • Phrasing folk melody naturally while maintaining rhythmic precision

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