Believe Me If All Those Endearing Young Charms Cover Image

Believe Me If All Those Endearing Young Charms: Woodwind Quintet Score & Parts

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Believe Me If All Those Endearing Young Charms Cover Image

Believe Me If All Those Endearing Young Charms: Woodwind Quintet Score & Parts

Arr. Martin Gold

Level: Medium-Difficult

Item: 81-WWQ1669

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Description
"Believe Me if All Those Endearing Young Charms" is one of the favorite and most often recorded folk songs of the British Isles. The arranger, Martin Gold, has given the beautiful flowing melody to the oboe with the other voices adding movement and changing counter melodies.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-345-7
ISBN13: 978-1-77157-345-0
UPC: 685462023462
SKU: 81-WWQ1669
Instrumentation: Flute, Oboe, B-flat Clarinet, F Horn & Bassoon

More about this title

Why we love this

Gold's orchestration gives the oboe center stage with a melody that sings naturally across the instrument's range, while the remaining voices create genuine musical interest rather than mere harmonic padding. The countermelodies and flowing accompaniment patterns make this arrangement feel chamber-like and conversational, rewarding quintet players who are ready to balance transparency with ensemble cohesion.

What to expect

Warm and lyrical, with the oboe's cantabile melody floating above gently shifting harmonic colors. The arrangement maintains the gentleness of the original tune while adding musical substance; you hear the folk song's heart intact, enriched by the interplay of five distinct voices rather than obscured by it.

Who it's for

Intermediate to advanced woodwind quintet ensembles comfortable with balanced, independent part writing and capable of executing the moving accompaniment figures cleanly. This arrangement suits quintet groups preparing contest entries or seeking substantial literature that honors the beauty of a well-known folk melody without oversimplifying the ensemble texture.

How to get the most out of it

  • Shape the oboe line with clear phrasing and allow it to breathe; this melody carries the emotional weight of the arrangement, so resist the urge to rush even when surrounding voices add rhythmic activity.
  • Balance the inner voices carefully so that shifting countermelodies remain audible without overpowering the oboe solo; this requires active listening during sectional rehearsals.
  • Establish steady harmonic support from the horn and bassoon early in rehearsal; their foundation allows the upper woodwinds to shape phrases with confidence.

How to use it

Program this alongside other British Isles or Celtic-inspired chamber works for a thematic evening, or use it as a concert centerpiece that appeals to audiences unfamiliar with woodwind quintet literature. The folk melody makes it accessible to general listeners while the crafted orchestration satisfies musicians seeking genuine compositional substance.

Skills your students will build

  • Balancing a prominent solo voice against independent countermelodies
  • Executing flowing harmonic accompaniment figures with rhythmic precision
  • Listening for and adjusting dynamic balance within a mixed-instrumentation ensemble
  • Shaping lyrical, singable phrasing across woodwind instruments with different acoustical properties

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