Believe Me if All Those Endearing Young Charms Cover Image

Believe Me if All Those Endearing Young Charms: Brass Choir Score & Parts

$30.00 USD
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Believe Me if All Those Endearing Young Charms Cover Image

Believe Me if All Those Endearing Young Charms: Brass Choir Score & Parts

Traditional / arr. David Marlatt

Level: Easy-Medium

Item: 81-BC2228

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Description
This tune is one of the favourite and most often recorded folksongs of the British Isles. The arranger has given the beautiful flowing melody to the euphonium, trumpet, trombone and flugel horn at different times. There is also a "chamber" section featuring a quartet of 2 trumpets, flugel and euphonium. Believe Me If All Those Endearing Young Charms would also make a great warmup and tuning piece for a brass choir of any level. It has been scored here for 3 trumpets, flugel horn, 4 horns, 3 trombones, euphonium, 2 tubas and percussion.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-095-8
ISBN13: 978-1-55472-095-8
UPC: 685462000401
SKU: 81-BC2228
Instrumentation: 4.4.3.1.1.perc

More about this title

Why we love this

Marlatt's treatment rotates the melody among four different voices, which keeps the arrangement fresh during rehearsal while maintaining the tune's immediate appeal. The chamber quartet section provides a natural break that works beautifully as a concert moment or as a strategic shift during sectional work. This is the kind of arrangement that sounds polished at easy-medium level without requiring advanced technique from your ensemble.

What to expect

Warm and unhurried, like a fireside conversation set to melody. The arrangement honors the song's tender character while giving each brass family a moment to shine with the tune. There's a gentle grandeur here, especially when the full choir supports a single melodic voice.

Who it's for

Brass choirs at the high school and community band level will find this arrangement immediately accessible without sacrificing musicality. The rotating melody keeps individual sections engaged while allowing less experienced players to sit comfortably in supporting roles. It serves equally well as a warm-up vehicle or as a concert selection.

How to get the most out of it

  • Balance the melody voice carefully in each statement. Since the euphonium, trumpet, trombone, and flugel horn each carry the tune at different moments, ensure the supporting voices stay transparent so the ear can follow the line clearly.
  • Use the chamber quartet section as a tuning reference point. With just four players on the melody, intonation issues become obvious; address them there before expanding to the full section.
  • Shape the flowing melody with gentle rubato rather than metronomic precision. This folk tune rewards slight breathing room and natural phrasing from the lead voice.

How to use it

Open a concert with this piece to establish an intimate connection with your audience before moving into larger works. The tune's familiarity combined with fresh orchestration creates a welcoming entry point. It also works beautifully midconcert as a palate cleanser between more demanding selections.

Skills your students will build

  • Balancing melody and accompaniment in a full ensemble
  • Playing supporting voices that enhance rather than obscure the primary line
  • Managing intonation within changing harmonic contexts
  • Phrasing and shaping a flowing melody across different instruments

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