Believe (from <I>The Polar Express</I>) Cover Image

Believe (from <I>The Polar Express</I>): Piano/Vocal/Chords Sheet

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Believe (from <I>The Polar Express</I>) Cover Image

Believe (from The Polar Express): Piano/Vocal/Chords Sheet

Words and music by Glen Ballard and Alan Silvestri / recorded by Josh Groban

Item: 00-PVM04090

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Description
A beautiful ballad from the blockbuster movie The Polar Express. Performed by singing sensation Josh Groban, the song carries a wonderful message of believing in a magical future.

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Additional Details
Publisher: Alfred Music
Page Count: 6
UPC: 654979077923
SKU: 00-PVM04090

More about this title

About the Composer: Glen Ballard

Glen Ballard is a two-time Grammy Award-winning composer and producer whose work spans film, television, and popular music. His compositions for major motion pictures demonstrate a gift for crafting melodically direct, emotionally resonant themes that enhance narrative without overwhelming it. Ballard's collaboration with Alan Silvestri on The Polar Express showcases his ability to create songs that function both as standalone pieces and as integral components of a film's emotional arc.

Why we love this

This ballad translates beautifully from screen to sheet music without losing its intimate, introspective quality. The chord progression supports both simple and more sophisticated harmonic interpretations, making it accessible for pianists at different levels while rewarding those who dig deeper into the arrangement. It's a piece that genuinely moves singers and listeners alike, which means your students will care about performing it well.

What to expect

Believe carries a quiet, hopeful warmth, the musical equivalent of candlelight and introspection. The melody sits naturally for the voice, neither straining nor sitting in an overly comfortable register, which creates a gentle vulnerability. The piano writing frames these moments with enough texture to hold interest without becoming decorative.

Who it's for

This sheet is ideal for intermediate to advanced pianists and singers who want a contemporary ballad that sits comfortably in a holiday recital or concert. It works equally well for voice students preparing solo recitals and for pianists accompanying singers in studio or ensemble settings.

How to get the most out of it

  • Treat the piano part as a conversation with the vocal line rather than mere accompaniment; the introduction and interludes deserve as much expressive attention as the melody.
  • Shape the dynamics gradually across phrases instead of holding at one volume throughout; the song's power comes from subtle swells that build toward climactic moments.
  • Pay attention to where the chord symbols suggest harmonic color; those extended and altered chords create emotional texture, so voice them intentionally rather than defaulting to the closest inversion.
  • Balance the message of the lyric with the music's inherent simplicity; resist the urge to oversing or overplay, which can make the ballad feel overwrought rather than sincere.

How to use it

This ballad fits naturally into winter or holiday concerts as a moment of reflection between livelier selections. It also serves as a rewarding solo piece for voice students in recital, or as a duet vehicle when pianist and singer collaborate. Because of its contemporary film origin and broad appeal, it bridges classical and modern repertoire in programs that aim for eclectic programming.

Skills your students will build

  • Sustaining long phrases with consistent vocal line production
  • Reading chord symbols and understanding harmonic function in tonal context
  • Collaborating between piano and voice to achieve unified phrasing and dynamics
  • Interpreting lyrical text to inform musical choices in tempo and rubato
  • Playing from a lead sheet while maintaining sensitivity to a soloist's breath and pacing

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