Behold how good and how pleasant for SATB Choir and Organ or Piano ad lib Cover Image

Behold how good and how pleasant for SATB Choir and Organ or Piano ad lib: Choral Works (inc. Oratorios)

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Behold how good and how pleasant for SATB Choir and Organ or Piano ad lib Cover Image

Behold how good and how pleasant for SATB Choir and Organ or Piano ad lib: Choral Works (inc. Oratorios)

By Daniel Pinkham

Item: 98-EP66038

$3.25
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Description

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 1
ISBN10: 0-30-071629-X
ISBN13: 979-0-3007-1629-9
SKU: 98-EP66038

More about this title

About the Composer: Daniel Pinkham

Daniel Pinkham (1923-2006) was an American composer, organist, and conductor whose choral works became central to American sacred music repertoire. A Boston-based composer with deep roots in the New England choral tradition, Pinkham wrote extensively for voices and organ, creating music that balanced accessible melodic writing with sophisticated harmonic language.

Why we love this

Pinkham's setting captures the psalm text with clarity and warmth, using straightforward SATB writing that lets the meaning of the words shine through. The optional organ or piano part provides flexible accompaniment options for rehearsal and performance, making this accessible whether you have a skilled organist or prefer keyboard support.

What to expect

The music conveys the contemplative praise of the psalm with genuine warmth and accessibility. Pinkham avoids excessive chromaticism or rhythmic complexity, instead crafting a setting that feels natural and immediate to singers and listeners alike.

Who it's for

Choirs seeking repertoire with strong textual clarity and moderate technical demands. This works well for church choirs, college sacred music programs, or competitive festival selections where SATB literature with organ or piano accompaniment fits the venue.

How to get the most out of it

  • Balance the parts so the text remains intelligible; Pinkham's writing sits naturally in each voice, but clear diction matters most
  • If using organ accompaniment, ensure the organ part supports without overwhelming the choir's sound
  • Shape the phrases by following the punctuation and syntax of the psalm rather than musical barlines alone

How to use it

Program this as part of a sacred music concert or church service where its moderate length and transparent voicing complement other choral works. The optional accompaniment gives you flexibility: rehearse with keyboard support and perform with organ if available, or keep the piano version for a more intimate presentation.

Skills your students will build

  • Reading and singing clear SATB part writing
  • Balancing multiple voice parts while maintaining text clarity
  • Coordinating with organ or piano accompaniment

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