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Beginning Blues and Rock Theory for Guitar: Guitar Book & CD

$15.95 USD
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Beginning Blues and Rock Theory for Guitar  Cover Image

Beginning Blues and Rock Theory for Guitar: Guitar Book & CD

Item: 00-21962

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Description
Designed to supplement Beginning Blues Guitar by David Hamburger and Beginning Rock Guitar by Paul Howard, Blues and Rock Theory for Guitar is the perfect companion to any starter instruction book for either style of playing. Gain an intimate knowledge of diatonic harmony, the three primary chord functions, the major, minor, pentatonic, and blues scales, and be able to identify the most important intevals and chords by sight and sound. With 10 worksheets and a CD full of ear-training examples, you'll gain a solid foundation in music theory and ear training, with the complete understanding of blues and rock chord progressions you need to become a great player. This is a must-have for every blues and rock guitarist.

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2 Sample Lesson 2 --:--

Sample Lesson 1

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Additional Details
Publisher: Alfred Music
ISBN10: 0-7390-3162-7
ISBN13: 978-0-7390-3162-9
UPC: 038081205762
SKU: 00-21962

More about this title

Why we love this

The ear-training CD transforms theory from abstract notation into living sound. Students hear the chord progressions, scales, and intervals they're studying, which accelerates recognition and retention far beyond worksheet-only approaches. The worksheets themselves bridge the gap between general music theory and the specific harmonic language of blues and rock, so students grasp why certain progressions work in these styles rather than learning rules in isolation.

What to expect

The journey moves from analyzing individual pieces (intervals, chords) to recognizing how they function together as progressions. By the end, familiar blues and rock sounds snap into focus, and students hear the underlying structure rather than just the surface.

Who it's for

Guitarists working through Beginning Blues Guitar or Beginning Rock Guitar who want to deepen their understanding of why the music works the way it does. Students benefit most when they've already developed basic chord and scale familiarity and are ready to connect those technical skills to harmonic theory and ear training.

How to get the most out of it

  • Work through the worksheets in order before moving to the next section. Each one builds on the previous layer of understanding, so skipping ahead creates gaps in ear recognition.
  • Use the CD actively during practice sessions. Listen to an example, pause, write down what you hear, then check the answer key. This habit trains your ear faster than passive listening.
  • Return to the intervals and chord identification exercises weekly, even after you've completed the book. Consistent review keeps your ear sharp when you're learning new songs.
  • Apply what you learn immediately. When you encounter a chord progression in a song you're working on, identify which primary function (tonic, subdominant, dominant) it serves. Theory stays alive when it connects to real music.

How to use it

Assign worksheets alongside your primary method book, spacing them so theory reinforces what students just learned in their lessons. The CD makes this accessible for independent study, freeing lesson time for playing rather than explanation.

Skills your students will build

  • Identifying diatonic harmony and the major scale across the fretboard
  • Recognizing tonic, subdominant, and dominant chord functions by sound and sight
  • Building and playing major, minor, pentatonic, and blues scales
  • Hearing and naming intervals within chord progressions
  • Transcribing chord progressions by ear from recorded examples
  • Understanding the harmonic structure of blues and rock songs

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