Before The Parade Passes By Sheet Music Preview

Before The Parade Passes By: Choral Instrumental Pak

Arranged by Mark Hayes

Item: 35-PK00406074

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Before The Parade Passes By

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Publisher: Hal Leonard
SKU: 35-PK00406074

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About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes has established himself as one of the most prolific and respected voices in American choral and concert music. With over 1,750 published works spanning sacred music, Broadway arrangements, orchestrations, and piano compositions, Hayes brings both technical mastery and artistic vision to every project. He holds a Bachelor of Music degree summa cum laude in Piano Performance from Baylor University and has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, premiering major works including his Requiem at Lincoln Center in 2013.

Beyond the concert hall, Hayes has proven himself a versatile composer and arranger across multiple genres. He orchestrated the musical Madame Buttermilk and arranged music for theatrical productions, while also maintaining a deep commitment to sacred music and educational repertoire. In 2010, Baylor University recognized his exemplary contributions to Christian music education. Whether conducting world premieres in Rome, Hong Kong, or New York City, or refining his craft at home in Kansas City, Hayes consistently creates music that serves both performers and audiences with elegance and integrity.

Why we love this

Hayes's arrangement captures the swagger and optimism of this Jerry Herman standard with sophistication that doesn't demand an enormous ensemble. The orchestration sits comfortably in the rehearsal room while preserving the song's theatrical DNA and infectious energy that audiences love.

What to expect

Bright and celebratory with a vaudeville bounce underneath the jazz-inflected harmonies. The arrangement sparkles with Hayes's characteristic piano-based orchestration, creating warmth and clarity that makes the joy of the lyric feel earned rather than forced.

Who it's for

Choirs ranging from good high school ensembles through community and church choirs seeking a showstopper with accessible orchestration. Directors who want a Broadway standard that feels contemporary and well-crafted without requiring a pit orchestra.

How to get the most out of it

  • Balance the choir's rhythmic precision with the instrumental parts; Hayes writes the accompaniment figures with independence, so ensemble clarity matters more than blend in spots.
  • Let the tempo breathe slightly at the top of phrases where the lyric lands, then lock in tightly during the march-like sections that give this arrangement its propulsive character.
  • Shape the dynamic arc across the full length rather than treating each section in isolation; the arrangement's effect depends on cumulative momentum.

How to use it

Program this as a first-half closer on a spring concert, where its confidence and optimism can energize both performers and audience. It pairs naturally with other mid-century standards or serves as a standalone feature when you need a piece that lands with immediate impact and doesn't require extensive staging.

Skills your students will build

  • Rhythmic precision in syncopated ensemble figures
  • Balancing choral tone with independence from instrumental accompaniment
  • Phrasing through longer legit vocal lines with theatrical style
  • Communicating character and comedic timing through music

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