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Beethoven: First Book for Pianists: Piano Book & CD

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Beethoven: First Book for Pianists: Piano Book & CD

By Ludwig van Beethoven / ed. Willard A. Palmer / perf. Scott Price

Level: Intermediate / Late Intermediate

Item: 00-20850

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Description
This useful series, edited by Willard A. Palmer and others, features the easiest works of Beethoven. All selections are presented in their original, un-simplified form and are organized in progressive order of difficulty. It allows students to begin playing this music from authoritative editions at an early stage in their studies.

Recording artist Scott Price is the chair of the Piano Department at the University of South Carolina and holds a doctorate in piano performance from the University of Oklahoma. He has given master classes and recitals throughout the United States and Southeast Asia. His recordings are featured in Alfred's Premier Piano Course.

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Sample Pages

Sample Audio
1 Sonata In G (1st Movement) Op 49, No 2 --:--
2 Sonata In G (2nd Movement) Op 49, No 2 --:--

Sonata In G (1st Movement) Op 49, No 2

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Additional Details
Series: Alfred Masterwork CD Edition
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-2235-0
ISBN13: 978-0-7390-2235-1
UPC: 038081194653
SKU: 00-20850

More about this title

About the Composer: Ludwig van Beethoven

Ludwig van Beethoven (1770-1827) stands as the bridge between Classical and Romantic eras, a composer who expanded the expressive and structural possibilities of nearly every genre he touched. His early works reveal the discipline of his Bonn and Vienna training while already hinting at the revolutionary voice that would define his later period. For pianists, his sonatas and smaller pieces remain essential repertoire: they demand technical precision, interpretive maturity, and the ability to sustain long musical lines while navigating dramatic shifts in character and texture.

Beethoven's piano writing is distinctly pianistic yet often deceptively transparent. His early compositions teach students about voice leading, harmonic architecture, and the relationship between left and right hands in ways that reward careful study. Teachers value his music because it offers both immediate accessibility and endless depths for interpretation.

Why we love this

This collection brings authentic Beethoven to intermediate pianists without resorting to simplification. Students encounter real compositional voice and genuine harmonic substance from one of history's most important piano composers, building confidence in their ability to read serious literature. The inclusion of Scott Price's recorded performances on CD provides a direct model for interpretation and pacing at every stage of the book.

What to expect

Beethoven's early piano works blend Classical elegance with emerging Romantic warmth. These pieces speak with directness and clarity, yet beneath their seemingly simple surfaces lie sophisticated harmonic thinking and moments of genuine emotional depth. Playing them feels like entering a conversation with a composer who respects your intelligence and expects you to listen closely.

Who it's for

Intermediate pianists ready to engage with masterworks in their original form. Students benefit most if they have solid sight-reading skills and enough technique to handle finger work and hand position changes without struggling.

How to get the most out of it

  • Listen to Scott Price's recorded performance before learning a piece, but return to it periodically rather than constantly. You'll absorb interpretive choices naturally while still discovering your own voice through the printed score.
  • Pay attention to Beethoven's articulation markings and dynamic gradations. Slurs and staccato dots carry structural meaning; they are not ornamental.
  • Shape phrases by thinking through the harmonic progression, not just the surface melody. Beethoven often places the most important notes in unexpected places.
  • Work on evenness and clarity in scales and repeated figures. Early Beethoven uses scalar passagework to drive momentum; muddiness will slow you down.

How to use it

Feature individual pieces from this collection in student recitals to show range and musicianship, or use one piece as a bridge between lighter student repertoire and longer sonata-form works. These selections work well in spring recitals or as stepping stones toward complete Beethoven sonatas in later years.

Skills your students will build

  • Reading Classical phrase structure and harmonic progression
  • Interpreting articulation markings and dynamic shaping in authoritative scores
  • Managing hand position independence across octaves and wider intervals
  • Sustaining long melodic lines while accompanying cleanly
  • Understanding early Romantic expression within Classical formal boundaries

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