Bebop 'n' Georgia: Jazz Ensemble Conductor Score & Parts
By Mark Taylor
Grade: 4
Item: 35-PK00129482
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Bebop 'n' Georgia - Conductor Score (Full Score) | $7.50 | |
| Bebop 'n' Georgia - Alto Sax 1 | $6.00 | |
| Bebop 'n' Georgia - Alto Sax 2 | $6.00 | |
| Bebop 'n' Georgia - Tenor Sax 1 | $6.00 | |
| Bebop 'n' Georgia - Tenor Sax 2 | $6.00 | |
| Bebop 'n' Georgia - Baritone Sax | $6.00 | |
| Bebop 'n' Georgia - Trumpet 1 | $6.00 | |
| Bebop 'n' Georgia - Trumpet 2 | $6.00 | |
| Bebop 'n' Georgia - Trumpet 3 | $6.00 | |
| Bebop 'n' Georgia - Trumpet 4 | $6.00 | |
| Bebop 'n' Georgia - Trombone 1 | $6.00 | |
| Bebop 'n' Georgia - Trombone 2 | $6.00 | |
| Bebop 'n' Georgia - Trombone 3 | $6.00 | |
| Bebop 'n' Georgia - Trombone 4 | $6.00 | |
| Bebop 'n' Georgia - Guitar | $6.00 | |
| Bebop 'n' Georgia - Piano | $6.00 | |
| Bebop 'n' Georgia - Bass | $6.00 | |
| Bebop 'n' Georgia - Drums | $6.00 | |
| Bebop 'n' Georgia - C Solo Sheet | $6.00 | |
| Bebop 'n' Georgia - Bb Solo Sheet | $6.00 | |
| Bebop 'n' Georgia - Eb Solo Sheet | $6.00 | |
| Bebop 'n' Georgia - Bass Clef Solo Sheet | $6.00 |
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More about this title
About the Composer: Mark Taylor
Mark Taylor stands as one of the most prolific and respected composers for school jazz ensembles. His output spans decades of reliable, engaging writing that balances accessibility with genuine musical substance. Taylor understands what works in the rehearsal room and on the concert stage, crafting pieces that challenge students without overwhelming them.
Why we love this
Taylor nails the energy of bebop here without getting tangled in complexity. The structural clarity (head, solos, sax soli, return) gives student soloists clear signposts, while the section writing stays interactive enough to keep the ensemble engaged throughout.
What to expect
Crisp and buoyant, like walking into a jam session in its prime. The trombone intro sets a relaxed swagger, then the piece snaps forward with the kind of interplay that reminds you why ensemble jazz matters: every section has something to contribute.
Who it's for
Jazz ensembles at the Grade 4 level with at least one capable trumpet soloist and tenor saxophonist. Directors looking for straightforward, musically satisfying repertoire that delivers concert-ready results without requiring extensive sectional rehearsal time will find this particularly valuable.
How to get the most out of it
- Balance the trombone head in the opening so the swing groove sits front and center rather than disappearing into the low end; slight rhythmic flexibility in the section helps anchor the bebop feel.
- Let trumpet and tenor soloists know the changes early so they can shape their own lines confidently; this breed of swing tune rewards players who understand the harmonic landscape.
- The sax soli section functions best when voiced as a unified blend rather than individual voices; rehearse the unison and harmony passages until they lock as one unit.
- Keep the tempo consistent across solos and head repeats; even slight fluctuations will erode the propulsive energy that makes bebop swing.
How to use it
Slot this into a jazz concert as a mid-set crowd pleaser, or use it as a vehicle for featured soloists without requiring extensive preparation from the full ensemble. It also works well as a reading piece early in the season to establish swing vocabulary and solo etiquette across your section.
Skills your students will build
- Swing eighth-note feel and articulation
- Navigating bebop changes and harmonic navigation
- Section balance in head arrangements
- Solo construction over blues-based changes
- Ensemble cohesion during written soli passages