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Beautiful Music to Learn by Rote, Book I: Violin Book

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Beautiful Music to Learn by Rote, Book I Cover Image

Beautiful Music to Learn by Rote, Book I: Violin Book

By Samuel Applebaum

Item: 00-EL02724

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Description
A collection of exercises, for Violin, composed by Samuel Applebaum.

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Additional Details
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-3123-3
ISBN13: 978-0-7692-3123-5
UPC: 029156019704
SKU: 00-EL02724
Instrumentation: Violin

More about this title

About the Author: Samuel Applebaum

Samuel Applebaum (1921-1991) was a violinist, composer, and pedagogue whose publications shaped string education in the mid-twentieth century. His approach to violin instruction emphasized learning by ear and rote, building musicianship alongside technique.

Applebaum's philosophy positioned rote learning as a legitimate pedagogical pathway rather than a supplement to note-reading. His collections remain in use because they trust students to absorb music through repetition and listening, a method that deepens retention and musical intuition.

Why we love this

This book delivers what its title promises: genuinely musical material that stands on its own merit, not invented exercises. The rote-learning approach works because Applebaum composed pieces that students actually want to play, which means they practice without resistance and build fluency through engagement rather than obligation.

What to expect

The material opens with simple, singable melodies that feel natural under the bow. As pages progress, harmonic interest and phrase length expand without sudden jumps in demand, creating a sense of gradual musicality.

Who it's for

Beginning and early intermediate violinists (roughly Grades 1-3) who benefit from aural learning and strong melodic material. This book also serves mixed-ability groups where some students are still building reading confidence and others need repertoire that rewards careful listening.

How to get the most out of it

  • Isolate short sections (4-8 measures) and have students echo what you play before attempting it on their own. Rote learning accelerates when the model is clear.
  • Use the recordings or your own playing as the primary learning tool for the first week with each piece. Reading notation comes after aural familiarity is established.
  • Group heterogeneous players together. Advanced students modeling the material for beginners creates a natural feedback loop that benefits both.
  • Play through pieces multiple times in succession during rehearsals. Repetition without pressure builds automaticity and confidence.

How to use it

Use this as a warm-up collection in rehearsals or as supplementary repertoire in lessons. The short-study format makes pieces ideal for student recitals and informal performance contexts where the focus is musical enjoyment rather than technical display.

Skills your students will build

  • Aural memory and melodic recall
  • Bow control through sustained single notes and simple phrase shapes
  • Playing by ear without over-reliance on notation
  • Intonation awareness through repeated listening and imitation
  • Musical phrasing in simple tonal contexts

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