Bears in the Moonlight (from Buffalo River Suite) Cover Image

Bears in the Moonlight (from Buffalo River Suite): String Orchestra, Full Score

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Bears in the Moonlight (from Buffalo River Suite) Cover Image

Bears in the Moonlight (from Buffalo River Suite): String Orchestra, Full Score

By Bud Woodruff

Grade: 2

Item: 36-50255131

$6.00
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Description
This clever work is an E minor romp using two-note slurs with a variety of other articulations. It also highlights use of the fourth finger and uses some second position for the cello section.

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296651-8
ISBN13: 978-1-68-296651-8
UPC: 654690535788
SKU: 36-50255131
Instrumentation: String Orchestra

More about this title

Why we love this

Woodruff's writing here is rhythmically propulsive without demanding extreme technical facility. The two-note slurs create immediate musical character while remaining playable for developing string players, and the intentional use of fourth finger and second position cello work gives students concrete technical targets that serve real musical purposes rather than existing as isolated exercises.

What to expect

A spirited romp with an almost sneaking quality, the kind of music that suggests movement and mischief without losing its dance-like pulse. The two-note slurs give it a bouncy, energetic character that younger players find immediately satisfying to perform.

Who it's for

Grade 2 string orchestras ready to move beyond basic open-string work but still building confidence with position playing and articulation variety. This score works well for ensembles comfortable reading in first and second positions across all string voices and ready to tackle moderately independent part writing.

How to get the most out of it

  • Shape the two-note slurs with clear breath points between them; avoid letting them blur into a continuous legato.
  • Balance the cello section's second position work carefully so intonation shifts read as intentional musical choices, not mistakes.
  • Layer the articulations distinctly: ensure staccatos and slurs are audibly different from one another, especially in passages where they alternate.
  • Let the E minor tonality sit naturally without pushing artificial darkness into the sound; the title suggests playfulness, not moodiness.

How to use it

Program this alongside lighter concert fare as a second-half opener or finale; its energy and humor provide a refreshing change of pace. It works equally well as a sectional warm-up piece or as a short, accessible title that lets developing orchestras experience the satisfaction of cohesive ensemble playing.

Skills your students will build

  • Two-note slur articulation and phrasing
  • Fourth finger facility on all string instruments
  • Cello second position reading and intonation
  • Mixed articulation (slurs and staccatos) within a single piece
  • E minor tonality and harmonic awareness

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