Bear Creek Bebop Cover Image

Bear Creek Bebop: String Orchestra, Score and Parts

$45.00 USD
Sale price  $45.00 USD Regular price 
Skip to product information
Bear Creek Bebop Cover Image

Bear Creek Bebop: String Orchestra, Score and Parts

By Thom Sharp

Grade: 2.5

Item: 36-52250947

$45.00
Shipped

One moment…

Description
This upbeat work for developing string orchestra includes a piano part that help to fill out the very jazz-oriented harmonies. It also utilizes a chop stroke effect in the violas and cellos.

Bear Creek Bebop: String Orchestra, Score and Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876218-7
ISBN13: 978-1-62-876218-1
UPC: 660355047169
SKU: 36-52250947
Instrumentation: String Orchestra and Piano

More about this title

Why we love this

Sharp writes for developing orchestras without condescension. The jazz harmonies feel genuine and playable, the chop strokes give students a rhythmic texture they'll actually enjoy executing, and the piano part does real harmonic work instead of just doubling strings. It's the kind of piece that makes a concert program feel contemporary without requiring a virtuoso ensemble.

What to expect

Bright and groove-oriented, with the swing of bebop translated into orchestral color. The chop strokes add percussive snap while the jazz harmonies underneath keep the harmony moving and modern.

Who it's for

String orchestras at the Grade 2.5 level who are ready to explore jazz idioms without leaving classical technique behind. Students will find fresh language here while still playing within their technical range.

How to get the most out of it

  • Establish the chop strokes in violas and cellos before full rehearsal by isolating those parts; the rhythmic precision matters more than speed, so lock in the articulation pattern first.
  • Let the piano anchor the jazz harmonies during early rehearsals so string players hear the harmonic context as they learn their lines.
  • Balance the upbeat energy with dynamic control; the piece swings harder when every section has clear shape rather than playing at one volume throughout.

How to use it

Pair this with a standard classical work to show students how jazz vocabulary enriches contemporary concert music. It works equally well as a standalone opener that establishes an energetic tone or as a closer that leaves the audience smiling.

Skills your students will build

  • Reading and executing rhythmic chop strokes in ensemble
  • Interpreting jazz-oriented harmonic progressions
  • Balancing articulation and tone in a swing groove
  • Listening to and responding to piano as harmonic anchor

You May Also Like