Be The One (arr. Frank de Vreeze) Sheet Music Preview

Be The One (arr. Frank de Vreeze): SSAATB Choral Octavo

As performed by Dua Lipa / Arranged by Frank de Vreeze

Item: 35-DS01091598

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS01091598

More about this title

About the Artist: Dua Lipa

Dua Lipa emerged as one of the defining pop voices of the 2010s, known for her powerful contralto and precise vocal control across genres ranging from dance-pop to intimate ballads. Her songwriting combines introspective lyricism with infectious melodies, making her catalog particularly attractive for choral arrangement.

Born in Pristina, Kosovo, and raised partly in London, Lipa brought a transatlantic sensibility to contemporary pop music. Her vocal approach emphasizes clarity and emotional directness, qualities that translate effectively when her songs are adapted for ensemble singing.

Why we love this

Frank de Vreeze's arrangement captures the song's contemporary energy while giving each voice part meaningful melodic content. The SSA voicing opens this track to younger or developing choirs who still want to perform confident, relevant music that resonates with modern audiences.

What to expect

Energetic and purposeful, with a modern harmonic language that sits comfortably between pop and contemporary choral writing. The piece moves with propulsive momentum while maintaining moments of vulnerability that let individual voices shine through the ensemble texture.

Who it's for

Choirs seeking contemporary repertoire that doesn't sacrifice musical substance for familiarity. This arrangement works well for advanced middle school groups, high school choirs, and community ensembles comfortable navigating pop idioms alongside jazz or musical theater material.

How to get the most out of it

  • Anchor the arrangement with a secure alto line; these parts carry harmonic weight and keep the progression grounded beneath the sopranos' exposed writing.
  • Lean into the pop idiom with crisp consonants and conversational phrasing rather than classical legit production; this style demands clarity over vibrato.
  • Balance the SSA texture by resisting the urge to overpower with soprano volume; let the blended sound feel unified rather than soprano-driven.
  • Study the recorded original to internalize the song's rhythmic pocket and groove, then apply that sensibility to the arranged harmonic movement.

How to use it

Pair this with other contemporary pop arrangements to build a concert set that speaks to current singers and audiences alike. It works especially well as a concert closer or as part of a pop-themed concert series that bridges classical and modern repertoire.

Skills your students will build

  • Balancing vocal blend in SSA scoring
  • Navigating contemporary harmonic language and pop chord progressions
  • Maintaining rhythmic precision in ensemble while honoring the song's groove
  • Singing conversational phrasing with clarity in a pop musical style
  • Managing exposed solo moments within an ensemble texture

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