Be Still My Soul (arr. Phillip Keveren) Sheet Music Preview

Be Still My Soul (arr. Phillip Keveren): Beginning Piano Solo

As performed by Katharina von Schegel / Arranged by Phillip Keveren

Item: 35-DS00021616

Digital Download
$4.99
One moment…
Description

Discover MakeMusic Cloud: thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00021616

More about this title

About the Artist: Katharina von Schegel

Katharina von Schegel (1697-1768) was a German religious poet whose spiritual verses became foundational to the Lutheran hymn tradition. Written during a period of personal hardship, her texts reflect a profound faith that resonated across centuries of worship and remain central to Christian music education today.

Her poetry's combination of accessible language and theological depth made her work ideal for musical setting. Countless composers have set her words to music, ensuring that generations of musicians encounter her vision of steadfast trust through performance and study.

Why we love this

Keveren's arrangement strips the hymn to its emotional core without oversimplifying it. The three-page format gives beginners enough real musical substance to feel they're playing something meaningful, not just a simplified exercise.

What to expect

Calm and introspective, with an almost meditative quality. The arrangement invites quiet reflection rather than displays of virtuosity, making it ideal for building expressiveness at a manageable technical level.

Who it's for

Beginning pianists ready to move beyond technique-focused pieces and play hymn-based repertoire with genuine musical purpose. This works well for students in church music programs or those developing their sight-reading while building confidence with familiar material.

How to get the most out of it

  • Maintain a steady, unhurried tempo throughout. Resist the urge to slow down at phrase endings; let the legato pedal and voice leading create the sense of gentle motion.
  • Shape each phrase with subtle dynamic swells rather than sudden changes. The arrangement's beauty lies in its restraint.
  • Balance the melody clearly when it appears in the right hand, but give the left-hand accompaniment enough presence to support the harmonic foundation.

How to use it

Include this as a prelude or interlude in a church service or student recital. It also fits naturally into a hymn-based unit that explores how classical composers and arrangers approach sacred text.

Skills your students will build

  • Pedal control and sustain in hymn-like textures
  • Phrasing and shaping with minimal dynamic markings
  • Reading simple but effective left-hand harmonic accompaniment patterns
  • Playing legato melody with clarity against supporting voices

You May Also Like