Be Joyful with Singing: SAB Choral Octavo

$2.25 USD

Be Joyful with Singing: SAB Choral Octavo

Name: Be Joyful with Singing: SAB Choral Octavo
Brand: Alfred Music
SKU: 00-SV9535
Price: 2.25 USD
Availability: InStock

Auf! stimmet die Saiten

By Dietrich Buxtehude / ed. Patrick M. Liebergen

Level: Moderately Easy

Item: 00-SV9535

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An excellent contest or festival work, this up-beat Baroque piece can be performed with standard accompaniment or with the addition of two flutes. An outstanding addition to the choral repertoire. Baritone part only goes to C. This work is accessible in every way, and can be sung in English or German. In our Easy Choral Masterworks Series.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Be Joyful with Singing: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Alfred Archive Edition: Belwin Festival Series

Publisher: Alfred Music

Page Count: 12

UPC: 029156140880

SKU: 00-SV9535

Instrumentation: Opt. Flutes

More about this title

About the Composer: Dietrich Buxtehude

Dietrich Buxtehude (1637-1707) was a dominant figure in Baroque church and secular music, serving as organist at the Marienkirche in Lübeck for nearly four decades. His prolific output across vocal and instrumental genres established him as one of northern Europe's most influential composers, and his reputation was substantial enough that the young J.S. Bach traveled over 250 miles on foot to hear him perform.

Buxtehude's secular vocal works, including "Be Joyful with Singing," showcase his gift for melody and structural clarity. His music influenced the next generation of German composers and remains essential to understanding the transition from Renaissance polyphony to the Baroque style that would dominate the 18th century.

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Why we love this

This piece offers what few Grade 2 selections do: genuine Baroque style without condescension or oversimplification. The optional flute parts add sophistication and give you a programming option that works equally well for a choral festival or a chamber collaboration. The text flexibility (English or German) and the accessible baritone range make this genuinely singable across mixed middle school or community choirs without compromising musical integrity.

What to expect

A bright, celebratory movement in three-part harmony with the rhythmic clarity and forward momentum characteristic of Baroque style. The piece radiates optimism and directness, inviting singers into a world of clear phrases and harmonic logic that feels both accessible and authentically historical.

Who it's for

This octavo suits middle school or community choirs looking for a contest-ready piece that doesn't sound juvenile, as well as directors who want to introduce singers to Baroque repertoire without overwhelming them. The accessible range and straightforward harmonic language make it ideal for ensembles with limited sight-reading skills who still want to perform substantial masterworks.

How to get the most out of it

Shape the phrases with gentle articulation that respects the Baroque style; avoid heavy legato that blurs the harmonic movement.
Balance the three parts so that no voice dominates. SAB voicing can obscure the treble line if the altos push too hard.
If adding flutes, rehearse them separately from the choir first so they lock their rhythms before bringing everyone together.
Choose your language (English or German) early and stay consistent through all rehearsals; switching mid-season disrupts muscle memory.

How to use it

This works beautifully as an opening number on a concert program, setting an energetic and musical tone before more dramatic selections. It also pairs well in a thematic program exploring Baroque vocal music or as a festival entry that showcases your singers' ability to balance clarity of part-writing with stylistic maturity.