Be A Light! Sheet Music Preview

Be A Light!: 2-Part Choral Octavo

By Mark Hayes

Item: 35-DS01133575

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS01133575

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes brings the credentials of a concert pianist and conductor to his work as one of today's most prolific composers and arrangers. With over 1,750 published works spanning sacred choral music, orchestrations, musicals, and piano literature, Hayes has established himself across multiple musical disciplines. He holds a summa cum laude degree in Piano Performance from Baylor University and has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, premiering major works like his Requiem at these prestigious venues.

Recognized by Baylor University with the Award for Exemplary Leadership in Christian Music, Hayes continues to work internationally. His commissions have taken him from Hong Kong to Rome, and his theatrical work, including the score for Civil War Voices, has earned multiple awards. Based in Kansas City, Missouri, Hayes divides his energy between composing, orchestrating, and performing, with a catalog that reflects his comfort across gospel, classical, jazz, and Broadway idioms.

Why we love this

Hayes writes for young voices with clarity and purpose. The piece captures an affirming message without resorting to saccharine arrangements, making it equally suitable for a concert finale or a festival appearance where singers leave feeling accomplished rather than condescended to.

What to expect

The music radiates warmth and confidence. Melodies unfold naturally across the two parts, creating moments of genuine harmony without demanding advanced musicianship, and the overall character is uplifting without becoming overly sentimental.

Who it's for

This octavo works beautifully for middle and high school choirs, children's choirs, and community ensembles seeking accessible two-part literature with genuine substance. Singers appreciate the singable melodies and positive character, while directors value the efficient page count and straightforward arrangement.

How to get the most out of it

  • Let the text shape the phrasing. Hayes pairs straightforward melodies with words that demand earnest delivery, so resist the urge to over-interpret rhythmically.
  • Balance the two parts by thinking of them as a conversation rather than a hierarchy. Both lines carry the musical weight.
  • Take advantage of the accompaniment to lock ensemble blend during rehearsals, then challenge singers to maintain that cohesion when the piano drops out or transitions between sections.

How to use it

Position this as a closing concert piece where audiences leave with a sense of uplift, or program it at a festival or competition where young singers gain experience with quality contemporary writing. The modest ensemble demands also make it practical for singers at varying experience levels.

Skills your students will build

  • Two-part harmonic independence
  • Text clarity and meaningful word inflection
  • Blending and balance between soprano and alto ranges
  • Reading Hayes's straightforward but idiomatic rhythmic approach

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