Battle Hymn of the Republic Sheet Music Preview

Battle Hymn of the Republic: Jazz Ensemble Conductor Score & Parts

Words by Julia Ward Howe, music by William Steffe / arr. Mike Kamuf

Grade: 2.5

Item: 00-PK-0009061

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Description
Wow! This terrific chart is inspired by the iconic Clark Terry version featuring two trumpets with plungers. A swing chart played around 112 BPM with sample solos provided for tenor 1 and trumpet 2, a hot sax soli, a stop-time shout chorus with bari sax setting the groove. Check this fine chart out! (4:35)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Battle Hymn of the Republic: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
SKU: 00-PK-0009061

More about this title

About the Composer: William Steffe

William Steffe composed "Battle Hymn of the Republic" in 1861, setting the lyrics by Julia Ward Howe to a melody that became one of America's most enduring patriotic songs. Originally titled "Say, Brothers, Will You Meet Us," Steffe's tune captured the spirit of the Civil War era and has since been adapted across countless musical genres, from choral to instrumental to jazz.

Why we love this

Mike Kamuf's arrangement channels the swagger of the Clark Terry tradition, giving your ensemble a chart that swings hard while staying accessible at Grade 2.5. The plunger trumpet feature and stop-time shout chorus make this a crowd-pleaser that teaches authentic jazz vocabulary without requiring soloists to transcribe from recordings.

What to expect

Equal parts nostalgia and funk. The familiar melody carries the weight of American history, but Kamuf strips away the hymnal reverence and reimagines it as a swinging, groove-heavy shout that respects its source while celebrating the joy of playing together.

Who it's for

Jazz ensembles at the high school or strong middle school level who want a recognizable tune with real jazz credibility. Soloists need some experience trading 8s or 16s, but the arrangement doesn't demand advanced harmonic knowledge.

How to get the most out of it

  • Lock in the rhythm section during the stop-time shout chorus. The bari sax sets the groove, so make sure bass and drums anchor that funky feel before the horns come in.
  • Balance the plunger trumpets carefully in the featured section. They should sit just above the ensemble blend, not dominate it.
  • Use the provided sample solos as starting points, not endings. Encourage your tenor 1 and trumpet 2 to develop their own ideas while staying within the harmonic framework.
  • Keep the swing feel relaxed at 112 BPM. This tempo should feel conversational, not rushed.

How to use it

This works perfectly as a festival or contest selection that appeals to judges and audiences alike. Program it alongside other American standards to build a thematic set, or use it as an opener to establish your ensemble's command of swing style early in the concert.

Skills your students will build

  • Swing feel and articulation in a straightforward medium-tempo context
  • Plunger mute technique and sound control
  • Trading solos while maintaining harmonic stability
  • Stop-time playing and tight ensemble unison
  • Listening to and responding to another section's groove

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