Basic Instructor Guitar 2 (2nd Edition): Guitar CD

Snyder's recorded performances on this disc bring authentic pacing and musicality to the exercises and songs in Book 2, making abstract concepts like extended chords and bass runs immediately tangible. The audio tracks eliminate the guesswork for independent learners and support teachers who want to demonstrate proper tempo and technique without having to perform every example themselves. For a second-year method, this disc strikes the right balance between providing clear models and expecting students to develop their own interpretive voice.

Snyder's playing is direct and instructional, prioritizing clarity of execution over virtuosity. The recorded examples sound like a knowledgeable mentor demonstrating what to aim for, not a recording artist performing a concert piece.

This disc supports guitarists working through the second book of Snyder's method in either group class or private lesson settings. It is most useful for students who have completed Basic Instructor Guitar 1 and are ready to explore chord extensions, accompaniment techniques, and foundational music theory concepts specific to guitar.

• Listen to each track multiple times before attempting to play along. Let your ear absorb the harmonic movements and rhythmic feel first.
• Slow down the tempo when learning moveable power chord shapes and bass runs. Once the finger positions become automatic, gradually match Snyder's recorded pace.
• Pay attention to how extended chords are voiced on the recording. Listen for the specific voicings Snyder uses, then compare them to what you see written in the book.
• Use the accompaniment tracks to build confidence with transposition. Hear how the same progression or riff sounds in different keys before writing it out.

Assign specific tracks as listening homework before lessons to prepare students for new material. In a group guitar class, use the recordings during the first run-through of new concepts so students hear the target before attempting it themselves.

• Playing extended chords (7th, 9th, sus chords) with proper voicing
• Accompaniment patterns and rhythmic strumming variations
• Constructing and executing moveable power chord shapes
• Bass runs and walking bass lines
• Transposing melodies and accompaniments to different keys
• Recognizing harmonic function by ear