Barracuda Rock: Concert Band Conductor Score & Parts
By Les Taylor
Grade: 1
Item: 98-DB1028
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Barracuda Rock: Score | $5.00 | |
| Barracuda Rock: Flute | $7.00 | |
| Barracuda Rock: Oboe | $7.00 | |
| Barracuda Rock: Bassoon | $7.00 | |
| Barracuda Rock: B-flat Clarinet | $7.00 | |
| Barracuda Rock: B-flat Bass Clarinet | $7.00 | |
| Barracuda Rock: E-flat Alto Saxophone | $7.00 | |
| Barracuda Rock: B-flat Tenor Saxophone | $7.00 | |
| Barracuda Rock: E-flat Baritone Saxophone | $7.00 | |
| Barracuda Rock: B-flat Trumpet | $7.00 | |
| Barracuda Rock: F Horn | $7.00 | |
| Barracuda Rock: Trombone | $7.00 | |
| Barracuda Rock: Baritone/Euphonium | $7.00 | |
| Barracuda Rock: Baritone T.C. | $7.00 | |
| Barracuda Rock: Tuba | $7.00 | |
| Barracuda Rock: Bells | $7.00 | |
| Barracuda Rock: Snare Drum/Bass Drum | $7.00 |
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More about this title
Why we love this
Les Taylor understands what gets beginning band students invested in their instruments, and this arrangement proves it. The optional divisi sections mean you're not locked into a single instrumentation; you can write for what you have and still deliver the energy that makes rock work. It's refreshing to hear a Grade 1 rock piece that respects both the technical limitations of young players and their appetite for something that actually sounds fun.
What to expect
Propulsive and fun without pretense. The groove sits front and center, and the orchestration keeps things simple enough that young players can focus on locking into the beat rather than managing complexity.
Who it's for
Beginning concert bands looking for repertoire that justifies the work of rehearsal. This is the piece you pull out when motivation dips in January or when you need proof that band class is worth their time.
How to get the most out of it
- Keep the eighth-note subdivisions tight and consistent; the groove depends on that pocket staying locked in. Use a metronome in rehearsal to anchor the rhythm section before adding melody parts.
- Balance the divisi sections by testing different combinations in your specific instrumentation. You might double certain voices or redistribute parts based on what you have available.
- Don't oversell the rock attitude. Let the tempo and rhythmic clarity speak for themselves; students will naturally groove once the pulse is solid.
How to use it
Program this as a concert closer or a second-half opener when you want to shift the energy and remind the audience why these students are hooked on their instruments. It pairs well on a concert that mixes standard band fare with contemporary sounds, signaling that your program respects where students' ears actually are.
Skills your students will build
- Reading and maintaining steady eighth-note rhythms
- Playing confidently in a rock/contemporary style
- Listening for the pulse and locking into an ensemble groove
- Understanding optional divisi and flexible instrumentation