Barnum and Bailey's Fractured Favorite Sheet Music Preview

Barnum and Bailey's Fractured Favorite: Concert Band Conductor Score & Parts

As performed by Karl L. King / Arranged by Thomas G. Leslie

Grade: 4

Item: 35-PK00417659

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$75.00

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Product Price Quantity
Barnum and Bailey's Fractured Favorite - Conductor Score (Full Score) $7.50
Barnum and Bailey's Fractured Favorite - Piccolo $6.00
Barnum and Bailey's Fractured Favorite - Flute $6.00
Barnum and Bailey's Fractured Favorite - Oboe $6.00
Barnum and Bailey's Fractured Favorite - Bassoon $6.00
Barnum and Bailey's Fractured Favorite - Bb Clarinet 1 $6.00
Barnum and Bailey's Fractured Favorite - Bb Clarinet 2 $6.00
Barnum and Bailey's Fractured Favorite - Bb Clarinet 3 $6.00
Barnum and Bailey's Fractured Favorite - Bb Bass Clarinet $6.00
Barnum and Bailey's Fractured Favorite - Alto Sax/Sporano Sax $6.00
Barnum and Bailey's Fractured Favorite - Alternate Alto Sax $6.00
Barnum and Bailey's Fractured Favorite - Bb Tenor Saxophone $6.00
Barnum and Bailey's Fractured Favorite - Eb Baritone Saxophone $6.00
Barnum and Bailey's Fractured Favorite - Solo Bb Cornet $6.00
Barnum and Bailey's Fractured Favorite - Bb Cornet 1 $6.00
Barnum and Bailey's Fractured Favorite - Bb Cornet 2 $6.00
Barnum and Bailey's Fractured Favorite - Bb Cornet 3 $6.00
Barnum and Bailey's Fractured Favorite - F Horn 1 $6.00
Barnum and Bailey's Fractured Favorite - F Horn 2 $6.00
Barnum and Bailey's Fractured Favorite - F Horn 3 $6.00
Barnum and Bailey's Fractured Favorite - F Horn 4 $6.00
Barnum and Bailey's Fractured Favorite - Trombone 1 $6.00
Barnum and Bailey's Fractured Favorite - Trombone 2 $6.00
Barnum and Bailey's Fractured Favorite - Bass Trombone $6.00
Barnum and Bailey's Fractured Favorite - Baritone B.C. $6.00
Barnum and Bailey's Fractured Favorite - Baritone T.C. $6.00
Barnum and Bailey's Fractured Favorite - Tuba $6.00
Barnum and Bailey's Fractured Favorite - String Bass $6.00
Barnum and Bailey's Fractured Favorite - Percussion 1 $6.00
Barnum and Bailey's Fractured Favorite - Percussion 2 $6.00
Barnum and Bailey's Fractured Favorite - Percussion 3 $6.00
Barnum and Bailey's Fractured Favorite - Percussion 4 $6.00

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Description
When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a "lion" act one time, and a "trapeze" act the next). In the same spirit, Thomas Leslie has creatively repurposed this familiar march to suit an imaginary "clown" act; complete with novelty percussion sounds and a few surprises sprinkled in. A bit outrageous, but definitely fun!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00417659

More about this title

About the Artist: Karl L. King

Karl L. King earned his reputation as the "March King of American Composers" through decades of prolific output and direct engagement with performing ensembles. His work with circus bands gave him unique insight into what musicians need to play with confidence and what audiences crave in a march: clarity, energy, and memorable melody. King's pragmatic approach to composition meant writing music that worked in real performance contexts, a principle that has kept his marches vital in the band repertoire for over a century.

Why we love this

Thomas Leslie's reimagining taps into something King himself understood perfectly: a strong march can anchor wild creativity and still hold together musically. The novelty touches here aren't distracting gimmicks; they're orchestrated with enough restraint that your ensemble can execute them cleanly while keeping the march's structural integrity intact. Programming this lets you program a familiar title with a theatrical twist that audiences will find refreshing.

What to expect

Imagine watching a tightrope walker suddenly pretend to slip, then recover with a grin. The march struts forward with King's characteristic directness, then pauses for something unexpected: a wink, a honk, a percussion shimmy. The familiar backbone lets these moments land without the music losing its footing.

Who it's for

Ensembles at the Grade 4 level who are comfortable with articulation control and straightforward conducting patterns. This arrangement works especially well for groups ready to explore how musical humor serves the larger compositional architecture, not just for its own sake.

How to get the most out of it

  • Treat the percussion novelties as punctuation marks rather than the main event. They land hardest when the band plays the march sections with crisp articulation and forward momentum.
  • Balance the comedic intent with musical clarity. Exaggeration in tone color is your tool here; avoid the temptation to slow down or loosen the ensemble's rhythmic foundation when the fun stuff happens.
  • Map out your percussion cues in advance so nothing feels accidental. Surprises work best when the conductor controls them precisely.

How to use it

Use this as your penultimate concert selection, where the audience has already settled into the evening and is ready for entertainment alongside musicianship. It pairs well with a serious march earlier in the program, offering contrast without leaving the march genre. Alternatively, it anchors a themed concert celebrating American band tradition with a knowing smile.

Skills your students will build

  • Maintaining ensemble precision during contrasting textural passages
  • Executing comic timing as an ensemble rather than as soloists
  • Balancing melodic clarity with rhythmic independence in different sections
  • Reading and coordinating novelty percussion parts seamlessly into a larger orchestration

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