Bandwidth: 1st Percussion Sheet Music Preview

Bandwidth: 1st Percussion

By Vince Gassi (SOCAN)

Grade: 2

Item: 00-PC-0018808_PC1

Digital Download
$3.00
Description
"Bandwidth," according to Webster's Dictionary, is the maximum data transfer rate of an electronic communications system. In Bandwidth by Vince Gassi, waves of sound and rhythmic energy (1.21 gigawatts to be exact) are transferred to you and your audiences. Right from the first measure this piece will power on and power you up. Syncopated figures contrast with legato lines while the momentum build throughout. Not too complicated, just fun to play and easy to listen to. (2:14) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Bandwidth: 1st Percussion comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
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Sample Video
Additional Details
Series: Young Symphonic
Publisher: Alfred Music
SKU: 00-PC-0018808_PC1

More about this title

About the Composer: Vince Gassi

Vince Gassi

Vince Gassi has been publishing concert band works through Alfred Music since 2006, building a catalog of over 100 titles that balance accessibility with musical substance. His compositions and arrangements are staples on festival and contest circuits across North America, Europe, and Japan, earning him regular invitations as a guest conductor, adjudicator, and clinician. He holds a Bachelor of Music from the University of Western Ontario and completed doctoral studies in composition at York University in Toronto.

Gassi brings twenty-five years of classroom experience to his writing, having taught instrumental music at elementary and secondary levels. His workshops on creative engagement and digital workflows for music directors reflect his commitment to practical, energetic music education. He studied composition and arranging at the Dick Grove School of Music in Los Angeles and continues to receive commissions from ensembles seeking music that challenges young players while remaining genuinely enjoyable to perform.

Why we love this

Gassi nails the Grade 2 sweet spot: the piece demands focused ensemble work without overwhelming inexperienced players. The syncopated rhythms and legato contrasts create real musical interest while staying within accessible ranges, and at just over two minutes, it programs efficiently for festivals or full concerts without eating rehearsal time on technical complexity.

What to expect

Bandwidth charges forward with kinetic energy from the downbeat, waves of sound building against a syncopated backbone. The piece feels electric and purposeful, balancing moments of momentum with breathing space created by legato lines that give contrast and shape to the overall arc.

Who it's for

Grade 2 concert bands preparing for festival, contest, or concert programming. Directors looking for repertoire that combines rhythmic vitality with melodic interest, engaging students without requiring advanced technical facility.

How to get the most out of it

  • Lock the syncopated figures early in sectionals. These rhythmic figures drive the piece, so isolate them away from the legato material and use a metronome to anchor the precision.
  • Shape the legato lines with dynamic intent rather than letting them become background texture. Even at this level, contrast makes the syncopation land harder.
  • Build momentum deliberately through measure-by-measure rehearsal in the second half. The piece accelerates its energy, but rushing usually happens when sections aren't clear on exactly where the push happens.

How to use it

Program this as an opener or mid-set energizer at festival or concert. At 2 minutes 14 seconds, it works well paired with a longer work, allowing you to show off your ensemble's rhythmic precision and musicality without sacrificing concert flow.

Skills your students will build

  • Syncopation and rhythmic precision in fast tempos
  • Dynamic contrast between articulated and legato passages
  • Ensemble balance across multiple rhythmic layers
  • Sustaining musical momentum through a sustained build

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