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Ballet Suite for 3 Clarinets: Clarinet Ensemble

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Ballet Suite for 3 Clarinets Cover Image

Ballet Suite for 3 Clarinets: Clarinet Ensemble

By Douglas Townsend

Item: 98-EP6091

$59.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 52
ISBN10: 0-300-70787-8
ISBN13: 979-0-300-70787-7
SKU: 98-EP6091

More about this title

About the Composer: Douglas Townsend

Douglas Townsend (1921-2013) was an American composer with a gift for writing accessible yet musically sophisticated works across multiple genres. His catalog spans chamber music, orchestral pieces, and educational compositions that demonstrate a keen understanding of how to write idiomatically for instruments while maintaining genuine artistic substance.

Townsend's approach to ensemble writing prioritized clarity of texture and balanced part-writing, qualities that made his works especially valuable in educational settings. His Ballet Suite shows his commitment to creating pieces that are both enjoyable to perform and genuinely musical.

Why we love this

A 52-page ballet suite gives your clarinet ensemble genuine substance to sink their teeth into. Townsend's part-writing respects the lyrical nature of clarinets while building in enough textural variety and rhythmic interest to keep rehearsals engaging across a full arc.

What to expect

The ballet idiom suggests lyrical phrasing, flowing melodic lines, and moments of genuine lyricism alongside more spirited dance sections. Expect the writing to showcase the clarinet's natural warmth while exploring the full range of expression across three voices.

Who it's for

Clarinet trios and small ensemble programs looking for extended, multi-movement repertoire. This works well for advanced middle school ensembles or high school groups ready to tackle a full-length work with real musical scope.

How to get the most out of it

  • Balance the three parts carefully during tuning and early rehearsals; clarinet ensembles can sound muddy if intonation drifts or dynamics aren't clearly defined among the voices.
  • Section off the ballet by scene or movement to build interpretive understanding. Rather than running the whole piece, work on how each section's mood and character shifts before stitching them together.
  • Record yourselves periodically and listen back as an ensemble. Clarinet tone blends beautifully when players hear themselves as part of a unified sound rather than three individual parts.

How to use it

This is excellent as a standalone chamber concert feature or as part of a woodwind recital series. At 52 pages, it demands enough rehearsal time to merit its own program slot or to close a concert where three clarinets can take center stage.

Skills your students will build

  • Sustained ensemble intonation and blend across register changes
  • Lyrical phrasing and shaping of melody within ensemble texture
  • Balance and voice independence in three-part writing
  • Stamina and consistent tone production over extended multi-movement forms
  • Collaborative listening and musical interdependence

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