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Ballata delle Gnomidi: Full Orchestra, Conductor Score

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Ballata delle Gnomidi Cover Image

Ballata delle Gnomidi: Full Orchestra, Conductor Score

By Ottorino Respighi

Item: 36-A811701

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Description
Ottorino Respighi (1879-1936) wrote the orchestral work BALLATA DELLE GNOMIDI (THE BALLAD OF THE GNOMIDES) in 1920, after he had already begun to gain international attention for his orchestral tone poem, FONTANE DI ROMA. Based on a poem by Claudio Clausetti, this work tells the tale of a society of grotesque gnomes and their ritual where two females select a hapless male, drag him to their bedchamber for a fatal ménage à trois while the rest of the of gnome horde waits outside, then wait until morning where they throw the male's corpse over a seaside cliff before dancing in a mad frenzy with the other gnomes. Despite the poor reception at the April 11, 1920, premiere in Rome under Bernardino Molinari's baton, the work was taken up by Arturo Toscanini and Fritz Reiner, with later critics comparing Respighi's use of orchestral effects depicting whoops, shrieks, and cackling laughter to Bernard Hermann's use of the violin glissandos to depict murder in the film Psycho. Instrumentation: 2+2(Piccs).2+1(EH).2+1(BCl)+1(Eb).2+1(CBsn): 4.3+1(PiccTpt).3.1: Timp.Perc(5-6): 2Hp: Str (9-8-7-6-5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563931-6
ISBN13: 979-889-563-9313
UPC: 612735535988
SKU: 36-A811701
Instrumentation: 2+2(Piccs).2+1(EH).2+1(BCl)+1(Eb).2+1(CBsn): 4.3+1(PiccTpt).3.1: Timp.Perc(5-6): 2Hp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Ottorino Respighi

Ottorino Respighi (1879-1936) stands as one of the early twentieth century's most inventive orchestrators. His career bridged the late Romantic tradition and modern compositional technique, with particular mastery in creating vivid sonic landscapes through instrumental color and effect. Though he composed operas, chamber works, and concertos, his orchestral tone poems—especially Fountains of Rome and Pines of Rome—secured his reputation as a master of the modern orchestra.

Why we love this

Respighi's orchestration in this score is genuinely theatrical without relying on a staged narrative. The writing demands precision from your ensemble while rewarding players with some of the most colorful and dramatically effective passages in the early twentieth-century repertoire. Conductors repeatedly choose this work because the musical storytelling is clear, the technical challenges are manageable for accomplished ensembles, and the sheer orchestral spectacle makes a lasting impression on audiences.

What to expect

The work moves between sinister, writhing passage work and moments of grotesque, almost vaudeville-like comedy as the gnome narrative unfolds. Respighi fills the orchestration with glissandos, extreme registers, unpitched percussion effects, and stratified harmonic layers that create an otherworldly, darkly humorous atmosphere. By the final pages, the mad frenzy of sound feels genuinely chaotic yet wholly controlled through the conductor's hand.

Who it's for

This conductor score serves symphonic ensembles, university orchestras, and professional regional orchestras with the technical depth and instrumental breadth to execute Respighi's demanding palette. You need reliable players across all sections, particularly percussion and strings, to manage the work's dramatic and sonic extremes. The score demands an experienced conductor comfortable with the subtleties of early modern orchestration.

How to get the most out of it

  • Balance the two harps carefully in their rhythmic and harmonic passages; they function as both textural foundation and soloistic voice depending on the moment.
  • Coordinate the five to six percussionists with absolute clarity before rehearsal begins. Their entries often drive the pacing of entire sections, especially in the chaotic final passages.
  • Shape the woodwind doublings (the added Eb clarinet, bass clarinet, and English horn parts) as character voices rather than pure doublings. Each adds its own timbral layer to the gnome world Respighi depicts.
  • Conduct the glissandos and pitch bends with clear preparatory gestures so strings understand exactly where the effect should begin and land.

How to use it

Program this alongside Respighi's other tone poems to showcase his orchestral evolution, or pair it with early twentieth-century works that similarly embrace orchestral spectacle and theater without staged action. It serves as a powerful concert closer or centerpiece that demonstrates your ensemble's technical facility and interpretive maturity. The work's literary foundations make it an excellent choice for thematic programming around myth, narrative, or the grotesque in twentieth-century music.

Skills your students will build

  • Executing rapid woodwind passages and doublings at varying dynamic levels
  • Coordinating multiple percussion entrances and effects across the ensemble
  • Controlling glissandos and pitch inflection in string writing
  • Reading complex, layered orchestral textures with independent inner voices
  • Balancing multiple harmonic strata to clarify Respighi's tonal architecture

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